Manuel Ferrari

El Pampero records Chantal Akerman's visit to Argentina in 2005.

The present, past and future of the conquest of the city known as Buenos Aires.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.

A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.

This is the journey of Juan – who could well be Pedro or María – a man who lives and works on the river in Argentina. Next, it is Johannes’ journey – he could well be Claus or Franz –who lives in Germany and whose life doesn’t seem to be very different from Juan’s. But at the same time, it is.

El Pampero records Chantal Akerman's visit to Argentina in 2005.

The present, past and future of the conquest of the city known as Buenos Aires.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.

Ignacio embarks on a trip driven by the coincidences that bring together the news that his young girlfriend is pregnant and an invitation to a seminar in Chile almost simultaneously.

A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.

A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.

This is the journey of Juan – who could well be Pedro or María – a man who lives and works on the river in Argentina. Next, it is Johannes’ journey – he could well be Claus or Franz –who lives in Germany and whose life doesn’t seem to be very different from Juan’s. But at the same time, it is.

This is the journey of Juan – who could well be Pedro or María – a man who lives and works on the river in Argentina. Next, it is Johannes’ journey – he could well be Claus or Franz –who lives in Germany and whose life doesn’t seem to be very different from Juan’s. But at the same time, it is.

No synopsis available yet.

Six chronicles based on an enigmatic space called Solitude.

Six chronicles based on an enigmatic space called Solitude.