Naima Ramos-Chapman

As a police officer investigates the gruesome murder of her colleague, she discovers that a mysterious supernatural force is behind it.

“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.

Tension runs high for writer/director Matthew Steele as he awakens in shock to find himself surrounded by six dead women with a 9mm in-hand. In a desperate search for answers, he is confronted by a mysterious caller who taunts him unrelentingly and strives to push him to the brink of insanity. As this spiraling mind-twist of mystery and suspense unfolds, Matthew also finds himself caught between a perpetuating nightmare that seemingly will not end and a suicidal reality that oddly mirrors his dark, demented screenplay called, "The Enemy". —Alexander Kane

A young woman dealing with the psychological aftermath of sexual violence shuffles between experiences both mundane and extraordinary as she attempts to leave her New York City apartment.

In a dystopian future where people live nocturnally to avoid the harmful rays of the sun, a young black girl unravels the lie that has kept her and her sister in the dark.

A restless young woman yearns to escape the confines of romance in order to find her superpower.

A restless young woman yearns to escape the confines of romance in order to find her superpower.

A restless young woman yearns to escape the confines of romance in order to find her superpower.

A young woman dealing with the psychological aftermath of sexual violence shuffles between experiences both mundane and extraordinary as she attempts to leave her New York City apartment.

A young woman dealing with the psychological aftermath of sexual violence shuffles between experiences both mundane and extraordinary as she attempts to leave her New York City apartment.

With somatic knowledge, Naima Ramos-Chapman sculpts a kinetic monument on the same rooftop in the name of healing and freedom-- where they were arrested at gunpoint as a teen in 2005. Filmed during the pandemic and in the midst of the BLM movement, they intend to liberate their own body through the process of rupturing memory with collective recall and dreaming in response to the state violence and the only virus that has truly plagued their family for generations: white supremacy. May this be a balm.

Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.

Nowhere, Nobody is a reflection of the life and perspective of Earl Sweatshirt. Through sheer symbiosis, they also reflect the life and perspective of co-writer and director Naima Ramos-Chapman, whose Afrosurrealist vision helped give his latest album, Some Rap Songs, new life.