Frédéric D. Oberland

A cry of solitary anger emerges from the maelstrom. Detournement and flicker are used here to transcend the futile nostalgia of political symbols tainted by the society of the spectacle and its inevitable issue: boredom. Let the dead bury the dead and pity them ; for it is our destiny to be the first to enter into the new world.

The Tears of Minos

The white screen of the cinema projects the image of a film. However, as the brightness of the mind breaks through the night, in order to imprint this burst of light, it needs a black screen, becoming the never ending abyss of the imaginary, reflecting this spiritual enlightenment.

Making of the short film.

"The Game is Over": four words spoken by Georges Walker Bush, President of the United States, on a sunny morning of February 2003. A friend's television screen, economic war, spontaneous demonstrations, 'a camera. Helicopters. Gilles Deleuze. And the hope of a last smile.

A cry of solitary anger emerges from the maelstrom. Detournement and flicker are used here to transcend the futile nostalgia of political symbols tainted by the society of the spectacle and its inevitable issue: boredom. Let the dead bury the dead and pity them ; for it is our destiny to be the first to enter into the new world.

The Tears of Minos

The white screen of the cinema projects the image of a film. However, as the brightness of the mind breaks through the night, in order to imprint this burst of light, it needs a black screen, becoming the never ending abyss of the imaginary, reflecting this spiritual enlightenment.

Making of the short film.

"The Game is Over": four words spoken by Georges Walker Bush, President of the United States, on a sunny morning of February 2003. A friend's television screen, economic war, spontaneous demonstrations, 'a camera. Helicopters. Gilles Deleuze. And the hope of a last smile.