Elżbieta Kilarska

This is not a love story though it is full of love. It is not a comedy though the characters often say funny things. It is not a detective story even though the hero is trying to solve a murder. It is not a nature drama though it shows the splendid colours and customs of the countryside. It is not a musical though Lubica expresses her longing in a passionate dance. Nor is it a film about ghosts though a ghost does ask the hero for a favour. A few draughts of Strawberry Wine are enough to take us into a magical world in the true centre of Europe, where love, crime and penitence are just as much a part of life as the changing of the seasons, the migration of birds or the flowing of a mountain stream.

A young Russian aristocrat, Baron Fyodor Jeremin, volunteers to serve with a Dragon squadron to impress the girl who rejected his love. Just at this time the 1863 insurrection explodes in Poland. He enlists to serve in the army being sent to suppress the revolt. He believes that now it's enough to defeat the Poles, become an officer and hero, get a bunch of medals, and then return and lay all of this at the feet of her beloved. However, the "little Polish war" looks completely different to the way that young Jeremin imagined it to be. In course of time, he learns to be on the wrong side. But there is no escape - he must kill or he will be killed. What's more, he falls in love with a beautiful Polish girl...

A story of high-ranking party members from the 1970s embroiled in political deception.

Christmas Eve night of 1976. In a village in the newly formed Tarnobrzeg province, a local bus hits a young married couple and a twelve-year-old boy. In the presence of numerous witnesses, the victims are beaten to death with a wheel wrench. In the aftermath of this crime, all the villagers are united by a conspiracy of silence. The dramatic scenario is freely based on the authentic case of the shocking 1976 Polanieck case.

1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.

A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.

Girls no more, four heroines emerge into womanhood with a more clear-eyed outlook on life.