Ioana Wieder

In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.

The year 1975 is declared “year of the woman”. On this occasion Bernard Pivot invited Françoise Giroud on television, then Secretary of State for Women. Faced with statements, a group of women filmmakers parody the issues in a provocative way.

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The year 1975 is declared “year of the woman”. On this occasion Bernard Pivot invited Françoise Giroud on television, then Secretary of State for Women. Faced with statements, a group of women filmmakers parody the issues in a provocative way.

Documentary about women screen directors from 1900 to 1960, produced with the support of archival photographs and uotations selected from the following dictionaries of the cinema: Dictionnaire du cinéma by Jean Talard, published by Robert Laffont and Dictionnaire des cinéastes by Georges Sadoul, published by Seuil. Carole Roussopoulos uses pictures and quotes from Movie Dictionaries in this tribute to women filmmakers from 1900 to 1960.

Women walk in protest against executions of Basque militants by Franco regimen.

Margo Jefferson, a journalism lecturer in New York, and Ti-Gracen Atkinson, a writer and feminist theoretician, talk to Flo Kennedy, a Black American lawyer, about racism, minorities' rights and the E.R.A. (constitutional amendment to garantee women's rights).

A few hours after Sanchez Bravo's execution, his sister recounts the condemned man's last night. Otaegi's mother talks about her son's life and the last conversation she had with him. Txiki's mother speaks of the solidarity of her village, where she has lived for eleven years, a widow with seven children. She denounces the "phantom" trial, the torture and murder of her son.

Documentary about feminist protests on the 1st of May of 1976

After a series of rapes in broad daylight in 1985, a demonstration takes place in September. Leaflets accuse the "immigrant criminal underworld." Immigrants and Muslims are blamed. Eight feminists: Claire Atherton (editing), Claire Auzias, Marie-Jo Dhavernas, Catherine Deudon, Anne Faisandier (camera), Liliane Kandel, Nadja Ringart and Ioana Wieder want to testify and fight sexism wherever they come from and whoever the authors are. They decide to realize a documentary. They meet Souad Benani and Malika Bennabi, activists of the group Les Nanas Beurs, then Fatima and Rosa, activists of SOS Racisme. Then three anti-racist activists : Harlem Désir, Adil Jazouli, Sami Nair to discuss it.

In two parts, it documents the litigation of Brigitte Fontaine, Monique Piton, Mireille and Erin Pizzey with Éditions de femmes in 1976 and those of Catherine Leguay and Brigitte Fontaine in 1977.