Svetlana Rodina-Ljungkvist

A new Soviet life is emerging in a new Moscow microdistrict. New people, new families, new neighbors. The elevator is not yet working, or is no longer working due to constant overload due to transporting furniture. Neighbors are just getting to know each other, getting to know each other, and gradually the lives of different families imperceptibly begin to intersect.

By chance Erik meets Viivi, an Estonian violinist playing in the Stockholm subway. They start an intense romance. Erik's mother dislikes the relationship, not having forgotten her escape from Estonia during the war. She reveals facts from the past and Erik finds out that his Swedish father adopted him. His real father was an Estonian nazi. Viivi has grown up in communist Estonia where her father was a party member and worked for the KGB.

Drinking the tasty Folk Soda puts a spring in the 101 Year Old Man’s step and his next adventure takes him around the World and back to Sweden, during which time he is chased by the CIA, a Balinese debt collector and becomes an executive at a soft drink company.

After the story of the same name of Rustam Ibrahimbeyov.

A love story between a simple guy and a music star fails, but suddenly he notices somebody else...

A.N. Ostrovsky recalls the first period of his creative work (1849–1859), when he began collaborating with the Maly Theatre and with masters of the Russian stage such as L.P. Kositskaya, M.S. Shchepkin, and P.M. Sadovsky. Almost every character in this film is a real historical figure.

A new Soviet life is emerging in a new Moscow microdistrict. New people, new families, new neighbors. The elevator is not yet working, or is no longer working due to constant overload due to transporting furniture. Neighbors are just getting to know each other, getting to know each other, and gradually the lives of different families imperceptibly begin to intersect.