Randy Doney

Crafty railroad worker Bart becomes the first Black sheriff of Rock Ridge, a frontier town about to be destroyed in order to make way for a new railroad. Initially, the citizens of Rock Ridge harbor a racial bias toward their new protector. However, they warm to him after realizing that Bart and his perpetually drunk gunfighter friend Jim are their only defense against a wave of thugs sent to rid the town of its population.

The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."

Buddy Young was the comic's comic, beloved by everyone. Now, playing to miniscule crowds in nursing homes, it seems like everybody but Buddy realizes that he should retire. As Buddy looks for work in show business, he realizes that the rest of the world has forgotten the golden days of Buddy Young, and that there just may not be room in the business for an old comic like himself.

Jeff and Mari Thompson are contently married, but they are stunned to see many of their friends and neighbors going through separations and divorces. Seemingly surrounded by people with domestic problems, Jeff and Mari begin to question their own relationship.

Mitzi Gaynor opens her second special with a dazzling performance of "Let Go." Additional songs include "Poor Papa," and "What'll I Do." She welcomes guest star Ross Martin (The Wild, Wild, West) for a musical-comedy spoof of Gone with the Wind. Other comedy skits include Mitzi as "The Kid" describing a school recital, and as a Hungarian Gypsy performing "Those Were the Days."

A two-hour syndicated TV special celebrating Howdy Doody on the occasion of the show's 40th anniversary.

Warren Nefron is a hopeless klutz who has some of the worst luck in the world: when he tries to end it all with a foolproof suicide plan, he still manages to mess it up. In desperation, he goes to a psychiatrist to see if there is some way for him to end his troubles.

Carol Burnett joins opera diva Beverly Sills for an hour of music and song from the Metropolitan Opera House in New York City.

The ultimate collection of song and dance performances from Gaynor's classic network television specials - unseen for three decades - MITZI GAYNOR: RAZZLE DAZZLE! THE SPECIAL YEARS is a new documentary that celebrates a landmark career through new interviews with Mitzi and many others that worked with her. A reflective and entertaining glimpse into the television variety show at its zenith, taking viewers on a nostalgic trip through Gaynor's TV years.

Julie and Carol at Carnegie Hall is an American musical comedy television showcase starring Julie Andrews and Carol Burnett, broadcast on CBS on June 11, 1962. The special was produced by Bob Banner and directed by Joe Hamilton. Banner came up with the idea in the Fall of 1961. Burnett was then a regular on The Garry Moore Show and Andrews had appeared as a guest twice, performing the song "Big D" from the musical The Most Happy Fella in the first appearance; and in the show's 1961 Christmas special, she did a number with Burnett and fellow guest Gwen Verdon plus an early performance of "My Favorite Things" (three years before she performed it as Maria while filming The Sound of Music). Mike Nichols wrote the script and co-wrote the song "You're So London" with Ken Welch. Writing began in February 1962 and the stars rehearsed for two weeks before the March 5 taping

A Wild West cow town is starving for entertainment and it falls upon Calamity Jane, a rowdy, gun-toting tomboy, to go to Chicago to bring back a famed stage actress. She brings instead the star's maid, who settles in the town, but Jane's "Secret Love" falls for her. This television special was based on a stage adaptation of the film that was playing regional circuits at the time it aired.

An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.