Meimei Kikuchi

The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion.

The kids are alright. And by alright, we mean they might be aliens! When he meets three of them, Wao is told that he must return to their home planet, but is worried about leaving his feuding parents behind.

In the suburbs of Tokyo, Ogawa, a 39-year-old programmer, lives alone in a 50-year-old apartment. Since the onset of the COVID-19 pandemic, Ogawa has been working entirely remotely, rarely leaving his home or meeting other people. At first glance, his life might seem the epitome of solitude. Yet, his days are fulfilling, occupied by hobbies like playing the digital piano, online mahjong, and tinkering with keyboard switches. Despite his contentment with this solitary lifestyle, Ogawa has been a member of a marriage agency for the past three years. One day, through the agency's app, he receives a message from a woman named Maeda. Little by little, change begins to ripple through Ogawa's quiet life.

Drama clubs from an all boys high school and an all girls high school hold a joint training camp. The schools are set to merge the following year. At the training camp, horrific and unusual events take place. Soon, the students learn that Dorome an old mountain legend is responsible.

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Drama clubs from an all boys high school and an all girls high school hold a joint training camp. The schools are set to merge the following year. At the training camp, horrific and unusual events take place. Soon, the students learn that Dorome an old mountain legend is responsible.

Haruki, a biracial student decides to quit college and travel to Japan. Makoto is a construction worker raised in the projects of Kansai who is also biracial. Haruki and Makoto grow closer and begin their journey from "Half" to "Whole."

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.