Acting
Ana María Hernández
Acting credits
6.8An old gangster returns from the United States to Mexico City to live with his sister-in-law and his two nephews, where he will face the daily life of a middle-class family.
The Gangster
1965
5.7Magicians transfers two peoples' souls (or whatever you want to call them) into each other's bodies.
He Who Died of Love
1945
7.8A cobbler gets a job in a Circus as a janitor, recommended by the beautiful girl rider of the show. But later, he gets in trouble when he involves in dangerous acts, such as the trapeze. Obviously, our friend will risk his life by the love of his new girlfriend.
The Circus
1943
5.8A dancer is accused of killing a businessman. When her husband finds out, he decides to take her kid away from her.
Noche de perdición
1951
4.0Based in the Émile Zola novel of the same name, which details the life of Nana, a French prostitute of the 19th century.
Naná
1944
6.6There are two sisters who will soon receive a large inheritance and several men want to marry them to participate in that heritage.
¡Fíjate qué suave!
1948
8.4A drifter lands a job as an officer in México City's elite motorcycle police unit and gets home with a mate of this unit. The mate is in love with a girl, but he and she are always making jealous to each other. The drifter and the mate get involved themselves in a fight to become the winner of conquering ladies and performing unit acrobatic tricks, interfering with their friendship and profession.
Full Spead Ahead
1951
5.5Blind nightclub pianist takes in a young singer/entertainer when she hits bottom... but once she gets stable and starts thinking about maybe a boyfriend, his unspoken intentions start to surface.
Coqueta
1949
7.5Cantinflas and three friends return a stolen necklace to an actress who invites them to be extras at Clasa studios. While on the set, he falls asleep and dreams that he is d'Artagnan, fighting on behalf of Queen Anne.
The Three Musketeers
1942
7.3Portrayal of a family’s attempt to change the spending habit of the indulgent and hedonistic patriarch, Alfredo. The family decides to try to fool him into spending less by telling him that his large fortune is gone.
The Great Madcap
1949
7.3The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
They also sing of pain
1950
6.4A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.
The River and Death
1954
5.8Following the death of their miller father, his eldest son inherits the mill, the middle one a donkey, and the youngest a cat. While initially disappointed, the lad soon learns not only that the cat can talk but is quite resourceful.
Puss n' Boots
1961
5.7A father imposes conditions on his son in order to inherit his fortune, unaware of what true love is capable of. The son accepts his father's terms and faces a series of challenges that ultimately lead him to become the heir.
Soltera y con gemelos
1945
6.0Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".
Miracles Weaver
1962
6.6During a long train trip, the Police has discovered jewelries in the personal bag of an actress, but she turns out to be innocent.
La extraña pasajera
1953
7.0After a quarrel with her boyfriend on New Year's Eve, Mane drives her car from Mexico City to Cuernavaca to meet her parents in their country house. The car breaks down in the highway and Mane has to ask for help. Mechanic Cruci arrives and, after testing the car, offers Mane a ride on his motorcycle. Back in Mane's house, she invites him some drinks to celebrate New Year's Eve. They get drunk and, the morning after, Mane's parents arrive and find them sleeping together. Not knowing what happened, Mane and Cruci are forced to get married against their will.
The Innocent
1956
6.0In a Mexican village during XIX century, word spread of a curse. Old José tells Carmen about the curse surrounding the Bridge of Punishment, said to affect anyone who wishes for another person’s death.
El puente del castigo
1946
6.5Adult street urchin passes himself off as rich man's long-lost son.
El hombre inquieto
1954
6.3A pregnant and very poor woman has no place to give birth, and turns to a society lady for help.
La culta dama
1957
6.0Wealthy young gentleman falls in love with a cabaret girl of no breeding; he overcomes his prejudices and accepts her in spite of her past... will she live up to his expectations of her?
Ángel o demonio
1947
5.4Experimental drug gives the ability to foretell the future.
Una Movida Chueca
1956
6.0A widow remarries... and then her missing-presumed-dead first husband reappears.
Los amores de una viuda
1949
5.9On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
Pepita Jiménez
1946