Orian Barki

Wrestling with writer’s block for her first film, Bouchra, a queer Moroccan jackal living in NYC, starts having difficult yet overdue phone calls with her mother in Casablanca that begin influencing the project. Balancing the precarity of working as an artist, the rift in her cultural identity and an array of romantic interests, Bouchra’s emotional reckoning becomes her path to expression.

Wrestling with writer’s block for her first film, Bouchra, a queer Moroccan jackal living in NYC, starts having difficult yet overdue phone calls with her mother in Casablanca that begin influencing the project. Balancing the precarity of working as an artist, the rift in her cultural identity and an array of romantic interests, Bouchra’s emotional reckoning becomes her path to expression.

Wrestling with writer’s block for her first film, Bouchra, a queer Moroccan jackal living in NYC, starts having difficult yet overdue phone calls with her mother in Casablanca that begin influencing the project. Balancing the precarity of working as an artist, the rift in her cultural identity and an array of romantic interests, Bouchra’s emotional reckoning becomes her path to expression.

Two lizards are grappling with the reality of the first wave of the COVID-19 pandemic in New York.

A personal video dairy: a coming of age story about being a teenager and figuring out your sexual identity.

Princess Nokia is unafraid. During the 16-minute film directed by Orian Barki and produced by The FADER, the self-proclaimed New York aficionado commands the sidewalks of the Lower East Side and East Harlem. There's footage of intimate recording sessions, shots of some of her most beloved local spots, and vulnerable stoop conversations that all show the city's important connection to her work.