Stephen Winter

Beautiful vampire Djuna tries to resist the advances of the handsome, human screenwriter Paolo, but eventually gives in to their passion. When her seductive and highly volatile sister Mimi unexpectedly comes to visit, she threatens Djuna's new relationship, and the whole vampire community becomes endangered.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

The life and times of Baltimore film maker and midnight movie pioneer, John Waters.

New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Tony has been dead for only about two or three years. Maybe seven. It's hard to follow the flow of time without a heartbeat. The days pile up and are meaningless when you are dead, but that isn't Tony's biggest beef with the afterlife. The city is the same as when Tony was alive but everyone is a stranger. The denizens pass their time maintaining an arbitrary set of rules passed down from a time they cannot remember. The dead live in an endless autumn where change is not only rare but considered gauche. Can a soul find love and meaning in a joint like this?

Tony has been dead for only about two or three years. Maybe seven. It's hard to follow the flow of time without a heartbeat. The days pile up and are meaningless when you are dead, but that isn't Tony's biggest beef with the afterlife. The city is the same as when Tony was alive but everyone is a stranger. The denizens pass their time maintaining an arbitrary set of rules passed down from a time they cannot remember. The dead live in an endless autumn where change is not only rare but considered gauche. Can a soul find love and meaning in a joint like this?

Tony has been dead for only about two or three years. Maybe seven. It's hard to follow the flow of time without a heartbeat. The days pile up and are meaningless when you are dead, but that isn't Tony's biggest beef with the afterlife. The city is the same as when Tony was alive but everyone is a stranger. The denizens pass their time maintaining an arbitrary set of rules passed down from a time they cannot remember. The dead live in an endless autumn where change is not only rare but considered gauche. Can a soul find love and meaning in a joint like this?

Through a campaign of fabulous surprise attacks, an underground band of radical queer HIV+ activists, addicts, and drag queens take to the streets of New York City to combat conservative politicians and government apathy towards the AIDS crisis.

Through a campaign of fabulous surprise attacks, an underground band of radical queer HIV+ activists, addicts, and drag queens take to the streets of New York City to combat conservative politicians and government apathy towards the AIDS crisis.

A reserved young man meets an impulsive stranger on a secluded beach. Their brief friendship leaves each subtly changed.

A radical revisitation. This updated version of Stephen Winter’s 2015 film unearths the ghosts of Jason and Shirley, restaging the volatile 12-hour shoot of the 1967 documentary Portrait of Jason—held at the Chelsea Hotel—which blurred the line between subject and storyteller. Jason Holliday, a sharp-witted Black gay man, whose identity splits between personas–performer, hustler, muse, provocateur–is once again in the room with Shirley Clarke, the Oscar-winning filmmaker who insisted on framing his life. Now, with newly unearthed footage, the director returns 10 years later, not to resolve the contradictions, but to reopen them. What was once a document becomes a haunting, a conversation with what was left outside the frame. Time folds. Power shifts. And Jason, still impossible to contain, speaks back.

A radical revisitation. This updated version of Stephen Winter’s 2015 film unearths the ghosts of Jason and Shirley, restaging the volatile 12-hour shoot of the 1967 documentary Portrait of Jason—held at the Chelsea Hotel—which blurred the line between subject and storyteller. Jason Holliday, a sharp-witted Black gay man, whose identity splits between personas–performer, hustler, muse, provocateur–is once again in the room with Shirley Clarke, the Oscar-winning filmmaker who insisted on framing his life. Now, with newly unearthed footage, the director returns 10 years later, not to resolve the contradictions, but to reopen them. What was once a document becomes a haunting, a conversation with what was left outside the frame. Time folds. Power shifts. And Jason, still impossible to contain, speaks back.

Based on a true story, Jason and Shirley recreates the 1966 power struggle between Jewish, Oscar-winning documentary filmmaker Shirley Clarke and her subject, Jason Holiday, a fierce black gay queen over a 12-hour marathon filming session which gave rise to Clarke's iconic documentary Portrait of Jason.

Based on a true story, Jason and Shirley recreates the 1966 power struggle between Jewish, Oscar-winning documentary filmmaker Shirley Clarke and her subject, Jason Holiday, a fierce black gay queen over a 12-hour marathon filming session which gave rise to Clarke's iconic documentary Portrait of Jason.