Irati Gorostidi Agirretxe

San Sebastian, 1978. The workers at the water meter factory hold an assembly to discuss a strike, which ultimately fails. Disappointed, the most non-conformist workers turn their aspirations for radical transformation towards more intimate spheres. Some leave the factory to join an isolated community in the mountains, where dozens of young people embarked on an intense journey of shared cathartic experiences.

The Virgin appeared to Sofía. Then she travelled to Lourdes and was cured of something incurable. In another time and another place, a group of doctors meet to discuss her case. What happens when science and religion meet?

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

In the aftermath of the death of the filmmaker Chantal Akerman on October 5th, 2015 ten directors remember, rethink and reoccupy in their own way the imagination of the Belgian director. A small collective tribute from Barcelona and Iruña, made with love.

In her escape, M. takes refuge in an abandoned house. Amidst the echoing sounds resulting from her efforts to make herself comfortable, she hears some footsteps outside and decides to open the door. A fortuitous visitor, who will become her companion-in-shelter, steps into the house.

1978. While talks are going on for a new agreement in the metal industry, a group of libertarian militants encourage their fellow factory workers to defend their radical position. Meanwhile, they watch in dismay as the workers’ movement becomes fragmented.

San Sebastian, 1978. The workers at the water meter factory hold an assembly to discuss a strike, which ultimately fails. Disappointed, the most non-conformist workers turn their aspirations for radical transformation towards more intimate spheres. Some leave the factory to join an isolated community in the mountains, where dozens of young people embarked on an intense journey of shared cathartic experiences.

San Sebastian, 1978. The workers at the water meter factory hold an assembly to discuss a strike, which ultimately fails. Disappointed, the most non-conformist workers turn their aspirations for radical transformation towards more intimate spheres. Some leave the factory to join an isolated community in the mountains, where dozens of young people embarked on an intense journey of shared cathartic experiences.

The Virgin appeared to Sofía. Then she travelled to Lourdes and was cured of something incurable. In another time and another place, a group of doctors meet to discuss her case. What happens when science and religion meet?

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.

In the aftermath of the death of the filmmaker Chantal Akerman on October 5th, 2015 ten directors remember, rethink and reoccupy in their own way the imagination of the Belgian director. A small collective tribute from Barcelona and Iruña, made with love.

In the aftermath of the death of the filmmaker Chantal Akerman on October 5th, 2015 ten directors remember, rethink and reoccupy in their own way the imagination of the Belgian director. A small collective tribute from Barcelona and Iruña, made with love.

In her escape, M. takes refuge in an abandoned house. Amidst the echoing sounds resulting from her efforts to make herself comfortable, she hears some footsteps outside and decides to open the door. A fortuitous visitor, who will become her companion-in-shelter, steps into the house.

In her escape, M. takes refuge in an abandoned house. Amidst the echoing sounds resulting from her efforts to make herself comfortable, she hears some footsteps outside and decides to open the door. A fortuitous visitor, who will become her companion-in-shelter, steps into the house.

In her escape, M. takes refuge in an abandoned house. Amidst the echoing sounds resulting from her efforts to make herself comfortable, she hears some footsteps outside and decides to open the door. A fortuitous visitor, who will become her companion-in-shelter, steps into the house.

1978. While talks are going on for a new agreement in the metal industry, a group of libertarian militants encourage their fellow factory workers to defend their radical position. Meanwhile, they watch in dismay as the workers’ movement becomes fragmented.

1978. While talks are going on for a new agreement in the metal industry, a group of libertarian militants encourage their fellow factory workers to defend their radical position. Meanwhile, they watch in dismay as the workers’ movement becomes fragmented.

During the 1980s, a convent in Lizaso (Navarra) was home to the eccentric Arco Iris community. The building's nondescript walls were adorned with enormous floral motifs, and its rooms hosted large gatherings where people experimented with cathartic New Age practices. Today, the building is inhabited by cloistered monks, and traces of that episode are almost imperceptible. The authors of San Simón 62 visit the place, drawn by the testimonies of their mothers who, trying to shake off the aftermath of Franco's regime and face the personal and political challenges of this new era, passed through the Arco Iris community.

Pasaia is the bay where the main commercial port of Gipuzkoa is placed. The urban and industrial fabric grew and was structured around the productive activity of that harbor, which, ever since the industrial crisis keeps declining. Pasaia Bitartean has its starting point in the architectural project with the same name that Jonander Agirre Mikelez made during the year 2013. The idea of articulating this project as a film came up as a consequence of the search of other methodologies to think the city and its common spaces.

Pasaia is the bay where the main commercial port of Gipuzkoa is placed. The urban and industrial fabric grew and was structured around the productive activity of that harbor, which, ever since the industrial crisis keeps declining. Pasaia Bitartean has its starting point in the architectural project with the same name that Jonander Agirre Mikelez made during the year 2013. The idea of articulating this project as a film came up as a consequence of the search of other methodologies to think the city and its common spaces.

Pasaia is the bay where the main commercial port of Gipuzkoa is placed. The urban and industrial fabric grew and was structured around the productive activity of that harbor, which, ever since the industrial crisis keeps declining. Pasaia Bitartean has its starting point in the architectural project with the same name that Jonander Agirre Mikelez made during the year 2013. The idea of articulating this project as a film came up as a consequence of the search of other methodologies to think the city and its common spaces.