Acting
Martha Clarissa Hernandez
Known for
Acting
Credits
6 titles
Known for
NRFilm production in Nicaragua prevails despite the lack of a film industry. This documentary explores the role of women filmmakers in continuing this art form and their passion to mobilize production efforts since the end of Incine, the only film industry.
Even with Their Nails: Women Filmmakers in Nicaragua
2016
NRThis feature documentary gives voice to the Creole people from Nicaragua and Costa Rica who have lived in resistance to colonialism, and now struggle to maintain their identity. Through multiple testimonies, we learn about how Black people came to the Caribbean and how Creole culture was formed in the region. These are stories of everyday life that reflect the cultural distinctions and traditions of different communities, their worldviews, memories, dreams, identities and the challenges they faced – yesterday and today.
The Black Creoles: Memories and Identities
2011
NRNo synopsis available yet.
Desde el barro al sur
2002
NROjo de Mujer is a documentary that features four Nicaraguan women filmmakers, whose testimonies allows us to learn about their begginings and how they have contributed to building a collective memory within their communities, leaving lasting roots for future generations of filmmakers in the country.
Ojo de Mujer
2025
NRLady Marshall is an ethnographic documentary that captures the daily lives of the residents in Marshall Point, a small fishing community located on the South Caribbean Coast of Nicaragua. The film focuses on the testimonies of three Garifuna and Creole women: Manuela, Evereth, and Vasdy. Breaking traditional gender roles, they are the only women in the region who own and operate their own fishing boat. The documentary showcases their daily balance as artisan fisherwomen, boat transporters, housewives, and mothers, offering a rare and intimate look into afro-descendant identity and female resilience in the Caribbean region.
Lady Marshall
1991
NRFilmed in black and white with no spoken dialogue, the story follows a young girl named Alenka, who wanders through rural Nicaragua carrying a white organdie dress.
White Organdy
1998
Film credits
Behind the camera
NRThis feature documentary gives voice to the Creole people from Nicaragua and Costa Rica who have lived in resistance to colonialism, and now struggle to maintain their identity. Through multiple testimonies, we learn about how Black people came to the Caribbean and how Creole culture was formed in the region. These are stories of everyday life that reflect the cultural distinctions and traditions of different communities, their worldviews, memories, dreams, identities and the challenges they faced – yesterday and today.
The Black Creoles: Memories and Identities
2011
NRNo synopsis available yet.
Desde el barro al sur
2002
NRLady Marshall is an ethnographic documentary that captures the daily lives of the residents in Marshall Point, a small fishing community located on the South Caribbean Coast of Nicaragua. The film focuses on the testimonies of three Garifuna and Creole women: Manuela, Evereth, and Vasdy. Breaking traditional gender roles, they are the only women in the region who own and operate their own fishing boat. The documentary showcases their daily balance as artisan fisherwomen, boat transporters, housewives, and mothers, offering a rare and intimate look into afro-descendant identity and female resilience in the Caribbean region.
Lady Marshall
1991
NRFilmed in black and white with no spoken dialogue, the story follows a young girl named Alenka, who wanders through rural Nicaragua carrying a white organdie dress.
White Organdy
1998
