Barbara Stone

During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.

A feature documentary about Cuba’s youth: the student, the worker, the peasant, the teacher, the soldier. These young compañeras and compañeros illustrate what the Cuban Revolution is really all about as they discuss their thoughts on the revolution, theories on guerrilla warfare, commitment to building Che’s “New Man”, and camaraderie with those fighting for change across the globe.

The life of Jerome Hill corresponded with the first formative decades of cinema and a greater part of the 20th century. Through fragments of Hill’s surrealistic, handpainted and documentary films (as well as the James J. Hill family's home movies), this autobiographical work serves as an aesthetically complete documentary of Jerome Hill as an artist and offers a personal perspective of the seventh art.

A woman in an unhappy relationship takes refuge with a friend's family on holiday in Tuscany.

A portrait of those individuals who sought radical solutions to social problems in the United States during the 1960s and 1970s. Cutting back and forth between six major story lines and more than fifty characters. Exploring the lifestyles and attitudes of the American left during the period following the Vietnam War.

Combining newsreel footage, still photographs, interviews, and analytical narration, this documentary focuses on the antifascist, anti-imperialist efforts of labor groups, peasants, and working-class soldiers to liberate Portugal from the control of the government of Antonio de Oliveira Salazar.