Directing
Christophe Lancellotti
Known for
Directing
Credits
5 titles
Known for
7.0No synopsis available yet.
Why Do They Hate Us?
2016
8.0The documentary, devoted to the last days of the professor who was tragically beheaded by an Islamist terrorist. This film highlights the failings of the state and the national education system in this deeply disturbing case.
Au nom de mon frère : les derniers jours de Samuel Paty
2024
6.0Exclusive documentary with the people who created the card game and tv game show.
Behind the Werewolves of Millers Hollow
2024
NRMarseille, a city with a dual identity, is seen both as the setting of Pagnol’s films and as a hub for powerful organized crime. Often labeled France’s crime capital, its contemporary history is marked by recurring violence and media portrayals that clash with political leaders’ responses. Jérôme Pierrat examines the roots of this violence, exploring two centuries of social and political challenges that have shaped the city.
Marseille Story, une histoire de la violence
2013
Behind the camera
7.0No synopsis available yet.
Why Do They Hate Us?
2016
8.0The documentary, devoted to the last days of the professor who was tragically beheaded by an Islamist terrorist. This film highlights the failings of the state and the national education system in this deeply disturbing case.
Au nom de mon frère : les derniers jours de Samuel Paty
2024
6.0Exclusive documentary with the people who created the card game and tv game show.
Behind the Werewolves of Millers Hollow
2024
NRMarseille, a city with a dual identity, is seen both as the setting of Pagnol’s films and as a hub for powerful organized crime. Often labeled France’s crime capital, its contemporary history is marked by recurring violence and media portrayals that clash with political leaders’ responses. Jérôme Pierrat examines the roots of this violence, exploring two centuries of social and political challenges that have shaped the city.
Marseille Story, une histoire de la violence
2013
NRMarseille, a city with a dual identity, is seen both as the setting of Pagnol’s films and as a hub for powerful organized crime. Often labeled France’s crime capital, its contemporary history is marked by recurring violence and media portrayals that clash with political leaders’ responses. Jérôme Pierrat examines the roots of this violence, exploring two centuries of social and political challenges that have shaped the city.
Marseille Story, une histoire de la violence
2013
