Yeung Kung-Leung

HK historical drama.

Hong Kong horror movie from 1955.

A marriage for sale leads to the murder and attempted destruction of the body of a great young man for the sake of his lover.

A Taoist priest herds his jiangshi charges across the country, but they are not all what they seem.

An early Drama by the Shaw Brothers Film Company

An early Drama by the Shaw Brothers Film Company

hong kong film

hong kong film

HK historical drama.

HK historical drama.

The rapier wit is not only for playful bantering between a couple but also for fighting justice. Famed attorney Sung Sai-kit (Ma Si-tsang) is best known for his sharp pen and silver tongue. His wife Madam Tong (Hung Sin Nui), sympathetic with a wronged widow, tries every trick up her sleeve to get her husband to help. Ma is funny and lovable who morphs from the henpecked husband to the brilliant and shrewd attorney at court, he displays perseverance behind his devil-may-care and nonchalant attitude, even Stephen Chow reincarnated his persona in the 1992 version.

The rapier wit is not only for playful bantering between a couple but also for fighting justice. Famed attorney Sung Sai-kit (Ma Si-tsang) is best known for his sharp pen and silver tongue. His wife Madam Tong (Hung Sin Nui), sympathetic with a wronged widow, tries every trick up her sleeve to get her husband to help. Ma is funny and lovable who morphs from the henpecked husband to the brilliant and shrewd attorney at court, he displays perseverance behind his devil-may-care and nonchalant attitude, even Stephen Chow reincarnated his persona in the 1992 version.

No synopsis available yet.

No synopsis available yet.

Hong Kong horror movie from 1955.

Hong Kong horror movie from 1955.

Based on the Chinese, Qing Dynasty legend of the Jiangshi, which first appeared in print in 1789 by writer Ji Xiaolan, this film tells the tale of a dead man who returns from the grave to avenge his brother's betrayal.

Based on the Chinese, Qing Dynasty legend of the Jiangshi, which first appeared in print in 1789 by writer Ji Xiaolan, this film tells the tale of a dead man who returns from the grave to avenge his brother's betrayal.

Hotelier Pak Kam-lung meets Cheung Yuk-neong on a ship travelling to Hong Kong. In Hong kong, Kam-lung searches for Yuk-neong's whereabouts and throws a costume party to lure Yuk-neong. He finally meets Yuk-neong again but she is cool towards Kam-lung. In order to get close to Yuk-neong, Kam-lung disguises himself as a hotel attendant. Meanwhile, the gentleman-thief Yu Yat-chi is attracted by Yuk-neong's diamond brooch. Yat-chi poses as a banker to get close to Yuk-neong. He lures Yuk-neung to his hideout by falsely claiming that her father is hurt in hospital. Yuk-neung is kept prisoner in an attempt to force her father to hand over the diamond brooch. Kam-lung puts on a female disguise to penetrate the hideout to save Yuk-neong. His disguise is seen through by Yat-chi, but fortunately, the police is alerted in time. The bandits are arrested. Finally, Kam-lung and Yuk-neong are married.

Chinese Opera comedy from Hong Kong directed by Yeung Kung-Leung.

It is the story of the novelist Luo Ping (played by Wong Ho) who meets and falls in love with Liu Rose (played by Chou Man-Hua) in the coffee room. She was abandoned by Hakama son Liu Qijie and lives under threat from the evil force Zhang Shengde (played by Wang Yuan-Long).

It is the story of the novelist Luo Ping (played by Wong Ho) who meets and falls in love with Liu Rose (played by Chou Man-Hua) in the coffee room. She was abandoned by Hakama son Liu Qijie and lives under threat from the evil force Zhang Shengde (played by Wang Yuan-Long).

Yee Chau-shui is one of the best comedians in Hong Kong cinema and he first played the Tramp character in the 1939 film Song Girl White Peony, a remake (or ripoff) of Chaplin's City Lights (1931). Flower Girl is a remake of that remake, transposing the story from Great Depression America to postwar Hong Kong, where devastating poverty is compounded by an egregious wealth gap between sectors. Yee's Tramp is an inspired blend of Chaplin's slapstick gags and the Cantonese opera chou san (the clown) shtick, exemplified by his performance of the song Fantasy of Riches, in which he likely improvises lyrics to generate laughter. Leung Sing-po co-stars, in one of many pairings that feature two of Hong Kong's best comic personalities.

Ma Si-tsang is memorable in his comedic roles for being lively and down to earth, making a stark contrast with the tough and feisty Hung Sin Nui, and they strike gold as a team in screwball comedies. Ma is psychologist Doctor Tsui while Hung is Pearl, the feisty third daughter who is hard to get along with. The undaunted Tsui sees the virtues in Pearl and teases her to teach lessons on marital harmony. With multiple schemes, Tsui teases, coaxes and has Pearl taste her own medicine. The battle of wits and the sexes becomes a joy to watch with Ma's complacent and roguish portrayal as a refined witty scholar clashing with the energetic and bickering Hung.

'Ghostly Mother Blue Flower' Chiu Choi-wan has abducted a group of virgin boys and girls for the nourishment of her mind and soul. Alarmed by the abduction, Yiu But-fan, Kau Suet-mui and Hung Tin-bo make a night raid on the Hanshan Temple to release the children and set a torch to the bandit lair. Fuming over the arson, Chiu casts a spell on Kau, who kills the father of Chuk Yuk-heung in her cross-dressing persona as Yiu. Confronted by the angry Chuk clansmen at the Chuk Fortress, Yiu tries futilely to defend his innocence. Believing that Chiu has masterminded the framed murder, the fugitive infiltrates the White-bone Yinyang Cave where he finds himself attacked by Kau and Chiu. Demon-vanquishing Magic Monk, Chuk and Hung helped Yiu wrestle Chiu, who fled. Kau is nursed back to health by the monk and joins the fellowship in their quest to annihilate the demon. With all her venomous needles forfeited to the monk, Chiu gets her comeuppance, slain by Chuk's flying dagger.

'Ghostly Mother Blue Flower' Chiu Choi-wan has abducted a group of virgin boys and girls for the nourishment of her mind and soul. Alarmed by the abduction, Yiu But-fan, Kau Suet-mui and Hung Tin-bo make a night raid on the Hanshan Temple to release the children and set a torch to the bandit lair. Fuming over the arson, Chiu casts a spell on Kau, who kills the father of Chuk Yuk-heung in her cross-dressing persona as Yiu. Confronted by the angry Chuk clansmen at the Chuk Fortress, Yiu tries futilely to defend his innocence. Believing that Chiu has masterminded the framed murder, the fugitive infiltrates the White-bone Yinyang Cave where he finds himself attacked by Kau and Chiu. Demon-vanquishing Magic Monk, Chuk and Hung helped Yiu wrestle Chiu, who fled. Kau is nursed back to health by the monk and joins the fellowship in their quest to annihilate the demon. With all her venomous needles forfeited to the monk, Chiu gets her comeuppance, slain by Chuk's flying dagger.

Martial Arts film from Hong Kong directed by Yeung Kung-Leung

This movie depicts a pair of lovers, who were denied freedom of marriage during their lives, and after their deaths, they are transformed into mischievous ghosts. With their strange and unpredictable powers, they are able to frighten all the characters in the play. The bridegroom, the policeman, the dancers, etc., are all frightened by the ghosts. The only one who is lucky enough to meet them is Charlie, who makes a lot of jokes.