Laia Marull

In the harsh post-war years' Catalan countryside, Andreu, a child that belongs to the losing side, finds the corpses of a man and his son in the forest. The authorities want his father to be made responsible of the deaths, but Andreu tries to help his father by finding out who truly killed them. In this search, Andreu develops a moral consciousness against a world of adults fed by lies. In order to survive, he betrays his own roots and ends up finding out the monster that lives within him.

One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...

Lis is a teenager whose dream is to become a circus artist and leave her hometown, even if she knows that to do it she’ll have to fight her side against her parents. It’s summer and she spends her days playing with her friends and flirting with her boyfriend, a few years older than herself. The lack of privacy and the neighbours’ gossip force Lis to keep their relationship secret so that her parents won’t find out. A relationship which change her live forever.

After the death of his wife, Miguel decides to take a trip, postponed for many years, Argeles-sur-Mer, a small town in southern France, where thousands of refugees are concentrated for some time.

Tony is a young crook preparing for a bank robbery with her boyfriend Juanjo and their low-life partners Maxi and Moco. Right before they commit the crime, Juanjo informs Tony that his prostitute sister wants him to take her young daughter Laura to visit the girl's father, a flamenco singer in the Spanish southern coastal town of Tarifa. Juanjo persuades the initially reluctant Tony that Laura will provide the couple with a perfect cover after they relieve their partners of the robbery's earnings. Unfortunately, though the robbery comes off without a hitch, the duplicitous Juanjo absconds with the cash, making Tony and Laura fugitives both from the law and from the psychotically angry Maxi and Moco.

Alex was adopted at birth. Now that she has come of age, her biological mother has agreed to meet her. She has to choose between letting this opportunity pass or know her at last, striving to overcome the fear of loosing something precious on the journey.

At a conference of dream interpretation, the lives of three people will become inescapably entangled: Beatriz, hired to do public relations for the conference; Alex, a writer for an Internet publication covering the event; and Natalia, an audience member whose revelation of her dream sets off a chain of events that brings together these three otherwise disparate characters. The Hidden is about those unseen, largely unknowable forces that seem to surround us and define our lives. Natalia’s dreams might be expressions of her fears and anxieties, but perhaps they could be messages from some beyond. For Beatriz, what’s “hidden” may be less supernatural than emotions she can barely express or control. Antonio Hernandez deftly navigates the lives and feelings of these three characters, gradually peeling away their self-deceptions and delusions until there’s a remarkable and unexpected final revelation.

A group of friends discover an ancient book, the Necronomicon, the Book of the Deads. They discover that the book is a link between our world and the world of ancients creatures, older than our civilizations.

Gina's death will force Greta and Gemma, her sisters, to get back together after a long time and to reconsider if sharing blood really means to be family.

The story of the uncompromising artist and fighter for freedom, Domenicos Theotokopoulos, known to the world as "El Greco".

Marriage of Vienna, theater director, and Daniel, a geriatric physician, is in crisis. Both cling to their professional activity to fill the void in their lives agonizing. Their worlds seem antagonistic, their needs, different. Account of the worst loneliness: loneliness in the company, and on promises unfulfilled desires can not be met, but it becomes a good excuse to continue living despite everything.

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Luisa Llorente, an expert on taxation of old buildings, had recently gone to the Victorian mansion Valdemar to conduct an inventory of property ownership. After she mysteriously disappeared, Maximilian, president of her company, engaged the services of a private detective to help find her. But soon they will discover that it is not the first disappearance at Valdemar mansion!

An Italian composer in crisis takes a break in Valencia, where he takes a shine to a famous singer.

Spain, fifties. In a town grew around a living factory Jorge (Tristan Ulloa), the youngest son of the founder, and Elisa (Laia Marull), daughter of accounting. The two live with their families and are able to endure the monotony of their lives because they spend the afternoon on Wednesdays and Saturdays at a hotel in the city. This secret life together is essential for both. The small room in the city where encounters occur has become the only place where they can be themselves. That little space, a little sinister, find it more cozy, warm and near the home of Elisa gorgeous, spoiled by the mother, or the great house of George, full of family memories. Both are aware of the type of relationship they have created, and not demand more. Until Elisa decides to break the rules.

Janine works in a bank giving credits to clients to buy houses and receives the offer of a promotion to work in a future branch in China for which she takes Mandarin classes. One night he travels from work to his home on the subway. There is attacked by two young delinquents a very old woman and Janine tries to avoid it. The young follow her and it is then that they steal and attack her sexually. After recovering from the blows and the anguish he gets up and sees his attackers raping a helpless young girl. Janine, instead of taking some initiative to stop them, flees home. From that situation her life is disrupted and her job promotion to China, her consolidated partner and her present as an independent woman become secondary and worthless issues. Janine lives in anguish and tormented by the memory of that traumatic situation. To try to recompose himself, he travels to the countryside to see his father who is a widower and is trying to rebuild his life after the death of his wife.

Malcolm's (28) new love, Alicia (25), an illegal Chilean refugee, will be short-lived if he does not make the right choice.

The heroine, a young archaeology student, whose relationship with herself, and with those around her, is forever marked by a traumatic event. Initially, Gaia cannot find the words to describe her situation, let alone the courage to speak about it. Eventually, however – like an archaeological excavation – she begins to uncover fragments of the past in order to piece her life together.

Miquel moves to a town in the Spanish countryside. He is there to work in an industrial mill, ran by siblings María and Ángel. María, who dislikes her work and the neighbours she has to do business with, finds in Miquel a person similar to her.

The wife of senior Tomás (José Sacristán) passed away, but they don't let him bury her, because the family of the deceased wants to repatriate the body to Paris. So Tomás steals the corpse to be able to bury it in Quatretondeta, a little village in the region of Alicante (Spain), as his wife had wanted.

Miguel is a 14-year-old kid about to go back to a centre for minors. His mother, out of work and with an unstable personal life, is incapable of taking care of him. This is why Miguel lives in a state of constant urgency, doing the housework, selling Kleenex or stealing from supermarkets. All this ends when Social Services come for him again, and his mother makes him seek refuge in the house of Bogdan, a Rumanian ex-lover of hers who lives in a nearby town. At the same time, María, the owner of a bar, sympathizes with the boy and gives him the virtually maternal treatment that he does not get in his own home. However, everything is thrust forward when the mother suddenly disappears

Núria, Lila and Andrea are preparing to spend a weekend together, out of town, in a smart, luxurious house full of works of art that a friend of Núria's has left her. Their WhatsApp group is ablaze with good intentions, but the reality is that the three of them are too lazy...Everything changes when an innocent question pushes them to break free and let their impulses take over.

Fernando and Margarita are a peculiar couple who base their lives on a strange and perverse game. He orders everything he wants and modifies reality at will, and she obeys his orders as best she can. This game will take the protagonists to the limit. In the film, both characters are played by various actors and actresses.

Arián, a young Basque girl, idealistic but naive, joins a ruthless terrorist gang and, hoping to prove her commitment, volunteers to participate in the kidnapping of the daughter of an important businessman.