Haskell V. Anderson III

If your enemy refuses to be humbled... Destroy him. Accompanied by his brother Kurt, American kickboxing champion Eric Sloane, arrives in Thailand to defeat the Eastern warriors at their own sport. His opponent: ruthless fighter and Thai champion, Tong Po. Tong not only defeats Eric, he paralyzes him for life. Crazed with anger, Kurt vows revenge.

Two men in 1930s Mississippi become friends after being sentenced to life in prison together for a crime they did not commit.

Jan Schlickmann is a cynical lawyer who goes out to 'get rid of' a case, only to find out it is potentially worth millions. The case becomes his obsession, to the extent that he is willing to give up everything—including his career and his clients' goals—in order to continue the case against all odds.

A young man about to get married earns extra cash by driving a local mobster, but things go awry when the mobster is shot dead by a rival crime boss.

This year Christmas with the Whitfields promises to be one they will never forget. All the siblings have come home for the first time in years and they've brought plenty of baggage with them. As the Christmas tree is trimmed and the lights are hung, secrets are revealed and family bonds are tested. As their lives converge, they join together and help each other discover the true meaning of family.

The dilapidated former house/headquarters of South Central LA's Black Panthers is at the center of a clash between radical ideals of the past, and 1980s Buppie efforts to use white-owned platforms (banks, media) to uplift the community.

A love story for our times, exploring the joys, loneliness, triumphs, and heartbreaks of modern dating and online relationships.

A feature length cinema documentary on how THE FARMER (1977) became the most-requested cult film of the new millennium, and it's a crazy tale that involves an actor incarcerated for manslaughter, serious on-set injuries, banana-man costumes- as well as surprising links to Clint Eastwood and Martin Scorsese. The film also broadens its scope to explore the overlooked, eclectic and often ultra-violent sub-genre THE FARMER belongs to - The Returning Veteran film. A film type that hit its stride in the 1970's with hard hitting character studies such as WELCOME HOME, SOLDIERS BOYS (1971), THE NO MERCY MAN (1973) and ROLLING THUNDER (1977).

An American submarine races to get a nuclear weapon before a Russian submarine.

A wife and mother drifts back to her life as a call girl.

Clayton Pierce is an agent working under deep cover. Although he is a top agent, he is questioning his loyalty after twenty years of service. His devotion has already cost him his wife, family and personal life. During a de-briefing from his last assignment, he is unknowingly administered the drug Oblivion, which destroys brain cells causing permanent memory loss. Within a few days of injection, the drug's effects become irreversible. Clayton will not only lose his memory, he will lose his identity as well. He realizes he can no longer rely on anyone at the agency to help him, not even his boss, Agent LaNova. With nowhere left to go, he appeals to his ex-wife, Kate, for help. Clayton and Kate must locate the antidote before it's too late.

A group of Black soldiers are home from the war and head to a small Southern town. The town is dominated by a group of Klansmen who keep the Black majority from voting or being treated like human beings. However, these newcomers convince the local population to register to vote so they can take back power and achieve justice. When hundreds show up to register, the Klan responds with violence. Eventually, though, the Black community has little choice other than fight back and the film ends with a small war between these combat vets and the Klan.

A young man living in the inner city, runs into conflicts with his mother when he decides to pursue a college education instead of accepting an offer for a full-time job.

The Guillotine, born from Enlightenment ideals, brought efficiency to execution. Five stories trace its impact from the French Revolution through Hussein's era, exploring justice, morality, and power.

UCLA Student Film, Preserved by the UCLA Film & Television Archive. Multi Camera view of a “theater of the absurd” play (including an above-head surveillance camera). Inside a fast food restaurant, a white British man joins the table of a Black American couple, asking for a cigarette and french fries. He brings conflict to the couple, who begin to fight over existential questions about perception, sanity, and television..“I watch television more than it watches me”