Andreas C. Tselepos

Follows three interconnected stories in modern day Nicosia, Cyprus: a civil engineer is blamed for the collapse of a building; a teenage girl becomes involved in a dangerous sexual relationship; two radicalized Arab women plan out an Islamic terrorist attack.

The film follows Smaragda, a middle-aged woman on a journey of self-discovery. After countless failed relationships and a stagnant career, she decided to jump into social media for some notion of visibility, which she definitely sucks at.

Kostas is a policeman, divorced with a child and with his mother in a nursing home. He is having a hard time financially, so he often steals jewelry from the corpses he conveys to the morgue. His ex-wife, Andri, works as a cleaner but she too is struggling financially since Kostas doesn't always pay in full the alimony they agreed upon. At the same time, he maintains a relationship with Elena, who lives with her mother. One day, when he and his colleague Andreas are called upon to transport a deceased person, an elderly woman, Kostas steals a cross from the corpse and puts it with other stolen jewelry in a biscuit container that he hides in a kitchen cupboard. Things start to get complicated when Elena stays overnight at Kostas’ apartment, finds the container and makes a disturbing discovery.

Chara’s family is everything to her, and yet she sometimes ponders a life without them. When she strikes up a hesitant friendship with a young girl, she is inexorably forced to confront a painful past and to answer a burning question: Is motherhood a natural state of boundless love and caring, or is it an ideal imposed by society?

1974, Cyprus. Ten days after the Turkish invasion in a refugee camp, a 10-year-old girl needs blood urgently. Will she survive?

In a seemingly idyllic Cypriot village, twelve-year-old Socrates finds himself in the centre of a murder investigation that exposes a dark family secret and changes his life forever.

A 35 year old son, buries his 27 year old father.

No synopsis available yet.

The discovery of an icon, which Ilias believes to be crying, sets him on his journey from cemetery caretaker to the chosen one. While he is on his quest to bring the icon to the people of the small town, we also follow three other stories of people who could do with a little help from a miraculous icon.