Pantea Panahiha

After getting infected with COVID-19, a 57-year-old Iranian painter, single woman, Mitra, goes into a coma. With her last breaths, she begins travelling to different pieces of her memories through her unconscious mind. Mitra’s spirit comes back home to pack an imaginary luggage full of her bittersweet memories and take it away. Moments before her last travel, just like Lot’s wife, she looks back at the lives of hers, her friends and her generation… at what they have done, what they have built and what they have ruined…

Objects will last longer than people. Two knives face up again after nearly 100 years. Who knows, maybe this confrontation continues, maybe this story ends here.

Hamed and Sepideh are not in a relationship anymore; they parted ways and the college years in which they watched movies together are just a far-off memory. Hamed has pursued his passion for music, he has recently released his first album and has been married for a year with a music instructor, Minoo. Sepideh has become an English teacher for preschoolers and is now wed to a builder, Massoud, who ironically can’t seem to build a solid marriage. In spite of everything, Hamed hasn’t forgotten about Sepideh yet and, when she goes back to their hometown, Minoo encourages her husband to meet her and clear his mind about what he really wants. With the collusion of a long time friend who owns a stationer, Hamed orchestrates an accidental meeting with Sepideh, in the attempt to find out more about her current life and, at the same time, to put himself to test.

A couple, Shokufeh and Iman who plan to flee Iran travel to the port city of Anzali to meet a man who is to smuggle them across the border. They await him by the side of a lagoon. They accidentally drop their bag of money and jewelry into the lagoon. Iman tries to jump in and find the bag but drowns in the process. A diver called Bahram the Buffalo is assigned to find Iman’s body in the lagoon and a relationship begins to develop between him and Shokufeh…

A Brechtian sketch of a relationship between a man and a woman in modern Iran, and also a parody of (or homage to) early Godard films.

Sudabeh returns to Iran after years to escape the punishment of conscience, but he needs to tell a secret that it is difficult to tell a secret ...

Taher Mohebi is a well-known writer who, after witnessing a violent murder, breaks down and spends three years in a mental institution. After release he is told that things are just as they were before, but his relentless hallucinations make him want to return to the institution.

The story is about two men who start their journey from Dezful to Tehran, who are on the road for two and a half months and face many challenges.

A chaotic family is on a road trip across a rugged landscape. In the back seat, Dad has a broken leg, Mom tries to laugh when she's not holding back tears, and the youngest keeps exploding into car karaoke. Only the older brother is quiet.

No synopsis available yet.

The film contains four different stories. In the first story Jahan is a 32 years old man who is dreaming of becoming famous. In the second story Afsaneh and Reza are a middle aged couple who are facing new problems and difficulties in their life. Third Laleh and Kaveh are waiting for their first child to be born and finally Sara is a young girl who is decided to live with a different identity.

Jonas (Saeed Aghakhani), a former Iranian soldier during the Iran-Iraq War, sets out to search for his fallen brother's bodies years after they were killed in action.

Farhad tells the story of his life to a psychiatrist. In the time of the Iran-Iraq War, Farhad is arrested and charged with illegal migration. When he is freed years later, he goes to his old love, Mahtab. Through conversations with his psychoanalyst and interrogations with the police, Farhad reveals the story of his life.

It's Hasti’s birthday. She studies abroad and her parents in Iran want to congratulate her via Skype.

Amir, a young Iranian, signs on with a fisherman on the rugged Caspian Sea coast in order to earn the money he needs to marry his sweetheart, Narges. But in so doing, he becomes entangled in the criminal machinations of caviar poaching. Piece by piece, a complex hierarchy is revealed in a parallel realm that becomes ever more constricting and oppressive, endangering Amir’s relationship with Narges as well.

Iran in the early 1960s: The world is still a big dream of freedom, exuberance and Technicolor, at least in the eyes of sixteen-year-old Atieh (Saina Rohanie in an impressive debut). Together with her mother, she visits Rassoul, a longtime friend of her late father, in his small village and, upon her arrival, meets his fourteen-year-old son Kamran (new discovery Mahdiar Shahmohammadi). Kamran is immediately enraptured by Atieh's charisma, and it doesn't take long for the two teens to become close. Kamran takes Atieh into the previously unknown world of cinema, whose heroes, villains and adventures he is already passionately addicted to. A magical summer takes its course - at the end of which waits a shattering decision that will change both of them forever.

Khanoom is an episodic movie focusing on three women from three different social classes who has to suffer for the sake of their beloved men.

The little girl had just colored her nails and the world painted her face.

Breath is about an Iranian family who lives in Iran. It tells the story of Bahar, who is living with her father, Ghafour and Grandmother during the 70s.She is living in her childish and surreal world, filled with their dreams and fantasies.

A theater directed by Siamak Ehsaiee

After a long time away, Arash returns to his hometown and looks for his missing person.

A theater directed Kiumars Moradi

A movie directed by Yalda Jebeli

Hamid's marriage is falling apart due to financial constraints. During a hostage situation, he accidentally owns a bag full of money and escapes with a deaf and dumb woman. One of the thugs chases after him and finally Hamid is injured by his bullet. The deaf and dumb young woman kills the criminal. In the end, Hamid realizes that the young woman is not deaf and dumb, but a girl who has made herself deaf and dumb to remain anonymous.