Sophie França

Just like in 1985, today Ignacio Agüero is back interrupting filmmakers during shooting, but not to ask what he did thirty years ago, but to find out what is purely cinematographic in what they film. These conversations are related to images in the director's personal archive, as if what is truly cinematographic was found among bits that were never made for the screen.

A prominent Chilean documentary director shares his family album with the film editor of his late works. A review of one hundred photographs and a quiet conversation will rise to memories of the films of one of the most personal filmmakers.

A tribute to the Chilean actress Myriam Palacios, edited from scenes of some films in which she participated, interviews, photos, memories of her colleagues and home archives. Both a collage and a poetic portrait of intimacy.

A strong east wind brings snow, rain and also memories of her father. Only a few objects, newspaper clippings and diary entries make him present. But Maia would like to know him better, to piece together a complete portrait from the fragments. For this reason, she leaves Argentina, the land of her home, and travels to the West Bank, where her absent parent comes from. But at first she finds only more ruins, the remains of houses destroyed by the Israeli occupiers. As slowly as the calm sea ripples, the author's pilgrimage to her roots turns into an encounter with an entire nation that has been stripped of its home. The shared experience of loss helps her to fill the empty space in her heart.