Mohammad Rahmanian

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

A theater directed by Mohammad Rahmanian

A theater directed by Mohammad Rahmanian

Nasi spends months after release from prison, watching the films and memorizes all the lines. He then travels around to perform the films as a one man show on a bench. Gradually he forms a theatre group called Cinema Bench...

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

A theater directed by Mohammad Rahmanian

A theater directed by Mohammad Rahmanian

Nasi spends months after release from prison, watching the films and memorizes all the lines. He then travels around to perform the films as a one man show on a bench. Gradually he forms a theatre group called Cinema Bench...

Nasi spends months after release from prison, watching the films and memorizes all the lines. He then travels around to perform the films as a one man show on a bench. Gradually he forms a theatre group called Cinema Bench...