Zala Đurić-Ribič

A young American is trying to find a man from her past, but he is never to be found, during the largest conflict on European soil since World War II – the battle of Vukovar. It is a search of identity and truth at a place where truth is selective, elusive, and even feared. A quest for faith, connection, and redemption simmers beneath the search.

Two elderly musicians in search of a sweetheart from their younger days cross paths with an up-and-coming young singer. Together, they embark on a once-in-a-lifetime adventure.

The action takes place in Piran, where three children meet. An SMS message was sent to the wrong number triggers a series of events in which children go through various adventures and puzzles related to Piran. The antagonists of the story are bandits who are looking for treasure, but they are overtaken by children who are more skilled in solving the keys that lead to the treasure. The children are the first to find the treasure, which is actually a collection of letters between the famous violinist Tartini and Stradivari, a violin maker who through correspondence provided him with support and advice on improving violins.

Two crooks looking to scam tourists organize a tour of an abandoned manor house rumored to be haunted by the cousin of Count Dracula. Their first group consist of a Swedish Satanist, two French goths and a Russian porn director. But the scam descends into bloody chaos when the tour is attacked by a Nazi cannibal wielding a circular saw.

16 year old girl go-kart driver Nika exceeds conflict with her mother to win the most important race of her life.

2009, Slovenia. For 30 years, Alija, the miner, has been one of the many Bosnian immigrant workers. Due to the crisis, miners are losing jobs. Alija is sent to check an abandoned mine. His task is to quickly make sure the mine is empty before management sells the company. But in the mine, Alija finds hidden proof of executions after WWII. He is told to stop digging and report the mine empty. He decides to continue, although he is risking his job. Alija discovers thousands of executed people. He informs the police. He found women among the dead. Some of them were civilians, missing persons, just like his sister that was lost in the 1995 genocide in Bosnia. Alija is convinced the victims need to be brought out, identified and buried. But there is no interest in doing that. The mine is proclaimed a WWII military grave and walled in. The dead will stay unburied. Alija loses his job and struggles to preserve his dignity.

A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.

Breza, a country boy from a godforsaken Prekmurje village, wishes to perform at the village festivities playing his electric guitar, but is faced with fierce competition in the form of a traditional Roma band entertaining the villagers by playing popular folk music. Nevertheless, his music seems to be the key to the heart of Silvija, a village beauty and the daughter of a wealthy gastarbeiter from Switzerland, who was sent home to find a healthy Slovene husband. However, the story of Breza and Silvija only marks the beginning of the plot whose main character is actually Düplin, an eccentric outsider, a deaf-and-dumb tramp or, as Breza's mother, the old Popovka, a farm owner and a fortune-teller also referred to as Strina, called him "a lad from a citrus producing country".