Lawrence Wong

A rebellious Chinese artist faces challenges from the police, art dealers, and his peers as a documentary film maker records his process.

Wong's no-budget indie (dreamt up in a night, shot in a week) tells four distinct stories which intersect in the manner of Mystery Train. They range from character-based comedy (a young couple nervously venture into a 'love hotel' for the first time) to Grand Guignol melodrama (a Filipina maid seeks revenge on her two-timing lover - the actress being the director's mother's real-life maid).

Stuck in a Christian 'rehabilitation' camp, Ming recalls his double life, a whirlwind of sex and drugs as a rent boy, and a sedate, romantic life with the older and more conservative Yen. Secrets and lies haunt their relationship, as Ming's mother confronts her son's sexuality in a most extreme fashion and Yen tries to get Ming to give up hustling.

Set during the 10th anniversary of Hong Kong's reunification with China, FOG tells the story of Wai, who suffers from a rare amnesia that wipes his memory entirely clean, as he attempts to restart his life and embarks on a journey of self-discovery and redemption.

Jamie re-encounters his old school friend, Kevin, who has been suffering from depression, and must make a choice between following his heart or society.

A rebellious Chinese artist faces challenges from the police, art dealers, and his peers as a documentary film maker records his process.

Wong's no-budget indie (dreamt up in a night, shot in a week) tells four distinct stories which intersect in the manner of Mystery Train. They range from character-based comedy (a young couple nervously venture into a 'love hotel' for the first time) to Grand Guignol melodrama (a Filipina maid seeks revenge on her two-timing lover - the actress being the director's mother's real-life maid).

Wong's no-budget indie (dreamt up in a night, shot in a week) tells four distinct stories which intersect in the manner of Mystery Train. They range from character-based comedy (a young couple nervously venture into a 'love hotel' for the first time) to Grand Guignol melodrama (a Filipina maid seeks revenge on her two-timing lover - the actress being the director's mother's real-life maid).

Jamie re-encounters his old school friend, Kevin, who has been suffering from depression, and must make a choice between following his heart or society.