Acting
Dick Blau
Known for
Acting
Credits
6 titles
Known for
7.0Experimental filmmaker Robert Nelson brings his characteristic wit to this restaging of the famous “play rehearsal” scene from Hamlet, breaking down the barriers between film, theatre, performance, and creation. “Hamlet Act demonstrates what can be done when a film text is made to oppose a theatrical text, creating a new synthesis. . . Hamlet, caught in the web of psychological forces, is seen through his position between film/video/theatre, as a metaphor for contemporary technology.
Hamlet Act
1982
NROh, Rapunzel is a fairy tale wrapped around a documentary. Set on the grounds of a decaying estate in Philadelphia, the video documents the life of eighty-year-old Annie Lloyd Hord Condit, a descendent of what was once one of the great families of Pennsylvania and mother of the artist. Her story is told through both documentary footage and scenes from the fairy tale Rapunzel. Condit revises the classic tale and restages the old woman's life.
Oh, Rapunzel
1996
6.0Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka "Bambi", former "Playboy bunny" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession.
Used Innocence
1989
Unburdened by any sort of narration or pretension to convey a 'message,' the film is a sparkle of human energy sprouting in gospel singing and music. Blau, an experienced photographer, shows us here that he's a real jazz-man of the camera as his eye dances unforcefully with the emotionality of the performers in the film.
Up The Block One Sunday
1982
Film credits
1980s · 3 titles
7.0Experimental filmmaker Robert Nelson brings his characteristic wit to this restaging of the famous “play rehearsal” scene from Hamlet, breaking down the barriers between film, theatre, performance, and creation. “Hamlet Act demonstrates what can be done when a film text is made to oppose a theatrical text, creating a new synthesis. . . Hamlet, caught in the web of psychological forces, is seen through his position between film/video/theatre, as a metaphor for contemporary technology.
Hamlet Act
1982
7.0Experimental filmmaker Robert Nelson brings his characteristic wit to this restaging of the famous “play rehearsal” scene from Hamlet, breaking down the barriers between film, theatre, performance, and creation. “Hamlet Act demonstrates what can be done when a film text is made to oppose a theatrical text, creating a new synthesis. . . Hamlet, caught in the web of psychological forces, is seen through his position between film/video/theatre, as a metaphor for contemporary technology.
Hamlet Act
1982
6.0Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka "Bambi", former "Playboy bunny" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession.
Used Innocence
1989
Behind the camera
NROh, Rapunzel is a fairy tale wrapped around a documentary. Set on the grounds of a decaying estate in Philadelphia, the video documents the life of eighty-year-old Annie Lloyd Hord Condit, a descendent of what was once one of the great families of Pennsylvania and mother of the artist. Her story is told through both documentary footage and scenes from the fairy tale Rapunzel. Condit revises the classic tale and restages the old woman's life.
Oh, Rapunzel
1996
NROh, Rapunzel is a fairy tale wrapped around a documentary. Set on the grounds of a decaying estate in Philadelphia, the video documents the life of eighty-year-old Annie Lloyd Hord Condit, a descendent of what was once one of the great families of Pennsylvania and mother of the artist. Her story is told through both documentary footage and scenes from the fairy tale Rapunzel. Condit revises the classic tale and restages the old woman's life.
Oh, Rapunzel
1996
Unburdened by any sort of narration or pretension to convey a 'message,' the film is a sparkle of human energy sprouting in gospel singing and music. Blau, an experienced photographer, shows us here that he's a real jazz-man of the camera as his eye dances unforcefully with the emotionality of the performers in the film.
Up The Block One Sunday
1982
