Otakar Chaloupka

Sudetenland, May 1945. A group of retreating German soldiers capture a group of young female workers, totally deployed in a chemical factory. He wants to use them as hostages during his advance to the American demarcation line. Together with them, they take refuge in a nearby castle, which soon becomes the site of the last battle that takes place both in the minds and in the backdrop of war-torn Czechoslovakia, shortly before liberation. A psychological probe as well as an intimate drama set within the walls of a small castle, it is a mosaic of mini-stories charting the fates, attitudes and thought processes of individual characters on both sides of the barricade.

Adolf, the irresistible seducer of women, is fond of Janicka, a novice opera singer. The girl, however, prefers famous men and Adolf thus does not have a single chance with her. One day in a hospital, he meets a Greek partisan named Apostolek who impresses him with his spontaneity and ease in solving all problems, especially those with women. Adolf has an idea for a revenge. He makes Apostolek familiar with social manners, dresses him after the latest fashion and introduces him to Janicka as a Greek conductor. Janicka instantly falls in love with the made-up composer and Apostolek does no better.

Sudetenland, May 1945. A group of retreating German soldiers capture a group of young female workers, totally deployed in a chemical factory. He wants to use them as hostages during his advance to the American demarcation line. Together with them, they take refuge in a nearby castle, which soon becomes the site of the last battle that takes place both in the minds and in the backdrop of war-torn Czechoslovakia, shortly before liberation. A psychological probe as well as an intimate drama set within the walls of a small castle, it is a mosaic of mini-stories charting the fates, attitudes and thought processes of individual characters on both sides of the barricade.