Peter Fischli

Directing

Peter Fischli

Born

1952-06-08 (74)

Place of birth

Zürich, Switzerland

Known for

Directing

Credits

7 titles

Peter Fischli (8 June 1952 in Zurich) and David Weiss (21 June 1946 in Zurich), often shortened to Fischli/Weiss, are an artist duo that have been collaborating since 1979. They are among the most renowned contemporary artists of Switzerland. Their best known work is the film "Der Lauf der Dinge (The Way Things Go)." This was described by The Guardian as being "post apocalyptic" as it is all about chain reactions and the way in which objects fly, crash, and explode across the studio it was shot in. For their work, they make use of a large bandwidth of artistic forms of expression: film and photography, art books, sculptures made out of different materials, and multimedia installations. They…

Known for

No artwork available
NR

An endless loop of forward motion cut from footage the Swiss artists found in the archives of the Zürich sewer maintenance department that carries audiences on a hypnotic journey, revealing unexpected beauty in the urban drainage system. - Solomon R. Guggenheim Museum

Kanalvideo

1992

The Way Things Go poster
6.6

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

The Way Things Go

1987

The Art Foundry poster
NR

No synopsis available yet.

The Art Foundry

2014

No artwork available
5.0

Yet again, a bear and a rat are out to make a lot of money - this time with art. During a tour of investigation, they find a corpse in a gallery and, hoping it will prove to be a means of access to the worlds of culture, action and finance, they take it along with them. However the desired effect is not forthcoming and they become involved in questions and observations on the subject of art and crime. The rat tries to solve the case himself; to him there is no distinction between artist and detective. After a narrow escape from a murder attempt, the two animals join forces once again and, now sadder and wiser, they resolve to improve - something that appears to be far from easy. But at the depths of despair they discover a system of order in the chaos of the world, which encourages them to venture into the area of philosophy. From here, they proceed into undreamed-of insights and flights of fancy.

The Point of Least Resistance

1981

The Right Way poster
5.0

A bear and a rat explore dark forests, treacherous ravines and snow-swept glaciers. With no real aim in mind, the bear and the rat bungle along in a folk tale of their own devising, wondering what they should do and where they should go, enjoying nature together, foraging for sustenance, getting lost, squabbling, joking and making music along the way.

The Right Way

1983

Film credits

Behind the camera

No artwork available
NR

An endless loop of forward motion cut from footage the Swiss artists found in the archives of the Zürich sewer maintenance department that carries audiences on a hypnotic journey, revealing unexpected beauty in the urban drainage system. - Solomon R. Guggenheim Museum

Kanalvideo

1992

The Way Things Go poster
6.6

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

The Way Things Go

1987

The Way Things Go poster
6.6

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

The Way Things Go

1987

No artwork available
5.0

Yet again, a bear and a rat are out to make a lot of money - this time with art. During a tour of investigation, they find a corpse in a gallery and, hoping it will prove to be a means of access to the worlds of culture, action and finance, they take it along with them. However the desired effect is not forthcoming and they become involved in questions and observations on the subject of art and crime. The rat tries to solve the case himself; to him there is no distinction between artist and detective. After a narrow escape from a murder attempt, the two animals join forces once again and, now sadder and wiser, they resolve to improve - something that appears to be far from easy. But at the depths of despair they discover a system of order in the chaos of the world, which encourages them to venture into the area of philosophy. From here, they proceed into undreamed-of insights and flights of fancy.

The Point of Least Resistance

1981

The Right Way poster
5.0

A bear and a rat explore dark forests, treacherous ravines and snow-swept glaciers. With no real aim in mind, the bear and the rat bungle along in a folk tale of their own devising, wondering what they should do and where they should go, enjoying nature together, foraging for sustenance, getting lost, squabbling, joking and making music along the way.

The Right Way

1983