Cecilia Kang

Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.

Lila is a young filmmaker struggling to write her next project. She spends all day in the house and excels at procrastination. One day her boyfriend returns with a new bicycle lock, a gift from another woman, and this triggers a reaction from Lila. A humorous take on creativity and obsession.

Rocío can’t handle the idea of separating from her best friend, who’s about to move and change schools. Her pain and frustration translate into spite until the increasing tension between them becomes irreversible when they clash in a duel at the arcade where they meet every afternoon.

No synopsis available yet.

No synopsis available yet.

In the ranks of the Japanese army during WWII, there existed what was known as comfort women. In the present, that term was replaced by a definition that is closer to reality—they were women who had been kidnapped and turned into sex slaves. After a long period of humiliation, the victims remained quiet, but some of them built up the courage to write about their ordeals in a series of letters. Cecilia Kang’s new documentary recovers those testimonies in order to talk about the way in which History and social mandates affect the lives of Korean women in Argentina, from the perspective of a young acting student who, after coming into contact with this correspondence, allows herself to reflect on the community she lives in and understand more about the traditions of her people as well as her own family history.

Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.

Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.

Lila is a young filmmaker struggling to write her next project. She spends all day in the house and excels at procrastination. One day her boyfriend returns with a new bicycle lock, a gift from another woman, and this triggers a reaction from Lila. A humorous take on creativity and obsession.

Lila is a young filmmaker struggling to write her next project. She spends all day in the house and excels at procrastination. One day her boyfriend returns with a new bicycle lock, a gift from another woman, and this triggers a reaction from Lila. A humorous take on creativity and obsession.

Rocío can’t handle the idea of separating from her best friend, who’s about to move and change schools. Her pain and frustration translate into spite until the increasing tension between them becomes irreversible when they clash in a duel at the arcade where they meet every afternoon.

Rocío can’t handle the idea of separating from her best friend, who’s about to move and change schools. Her pain and frustration translate into spite until the increasing tension between them becomes irreversible when they clash in a duel at the arcade where they meet every afternoon.

No synopsis available yet.

No synopsis available yet.

In the ranks of the Japanese army during WWII, there existed what was known as comfort women. In the present, that term was replaced by a definition that is closer to reality—they were women who had been kidnapped and turned into sex slaves. After a long period of humiliation, the victims remained quiet, but some of them built up the courage to write about their ordeals in a series of letters. Cecilia Kang’s new documentary recovers those testimonies in order to talk about the way in which History and social mandates affect the lives of Korean women in Argentina, from the perspective of a young acting student who, after coming into contact with this correspondence, allows herself to reflect on the community she lives in and understand more about the traditions of her people as well as her own family history.

In the ranks of the Japanese army during WWII, there existed what was known as comfort women. In the present, that term was replaced by a definition that is closer to reality—they were women who had been kidnapped and turned into sex slaves. After a long period of humiliation, the victims remained quiet, but some of them built up the courage to write about their ordeals in a series of letters. Cecilia Kang’s new documentary recovers those testimonies in order to talk about the way in which History and social mandates affect the lives of Korean women in Argentina, from the perspective of a young acting student who, after coming into contact with this correspondence, allows herself to reflect on the community she lives in and understand more about the traditions of her people as well as her own family history.

There are many films piercing through Cecilia King’s first feature; there’s a film about a family (her sister, her mother, her aunt, her grandmother)… There’s also one about being an Argentinian woman of Korean descent visiting Korea. And another one about being a Korean woman who, at the same time, acts like someone from Buenos Aires. There’s family love, friendship, the small tragedies and the great ones, emancipation, heartbreak, creativity. And none of these storylines drives us to a feeling of drift; they are parts of a mosaic that is pieced together in the viewer’s head thanks to a solid, strongly emotional core: the life of the director, who, in a spontaneous and loving display of generosity, dedicates My Last Failure to (in this order) a teacher from childhood, her eternal friends and her sister.