Sarra Tsorakidis

"I do not care if we go down in history as barbarians." These words, spoken in the Council of Ministers of the summer of 1941, started the ethnic cleansing on the Eastern Front. The film attempts to comment on this statement.

During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.

Set in early 19th century Wallachia, Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

Seeking shelter in her work from the pain of a breakup, Lena, a painter turning 40, is commissioned to decorate a brutalist luxury hotel nestled in the depths of the Romanian forest. There, where the Danube ends its course in seemingly miraculous springs, Lena’s moral views are confronted with an overwhelmingly corrupted community.

Seeking shelter in her work from the pain of a breakup, Lena, a painter turning 40, is commissioned to decorate a brutalist luxury hotel nestled in the depths of the Romanian forest. There, where the Danube ends its course in seemingly miraculous springs, Lena’s moral views are confronted with an overwhelmingly corrupted community.

Zoe finally met someone (Duncan) that she really cares about enough to introduce to her friends. Everybody seems to be excited for her and they’re trying their best to make Duncan feel at home, but Zoe has a secret. Her mood transforms the evening into the perfect opportunity for scandal and all the characters will get the chance to express how they really feel

Booze, grief and guilt arouse repressed emotions in Eli. Momentarily she loses control, however ultimately she will have to let go of the past. Layered, penetrating portrait of family ties, guilt and the role of traditions.