Writing
Ruelo Lozendo
Known for
Writing
Credits
4 titles
Known for
NRIn a town where friars lord it over the laymen and peasants, trust is a foreign word. As the townspeople prepare a despedida for the dismissed Mayor, suspicions arise, unraveling secrets that could change the course of their history.
Kolorete
2009
A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.
Piso Dalawang Piso
2002
NRPandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
Pandanggo
2006
Film credits
Behind the camera
NRIn a town where friars lord it over the laymen and peasants, trust is a foreign word. As the townspeople prepare a despedida for the dismissed Mayor, suspicions arise, unraveling secrets that could change the course of their history.
Kolorete
2009
NRPandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
Pandanggo
2006
NRPandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
Pandanggo
2006
