Writing

Sakari Rimminen

Born — Died

1945-11-13 — 2004-01-03

Known for

Writing

Credits

7 titles

Known for

Behind the camera

Sadeaika poster
6.5

A man suffering from paranoia and delusions is convinced that the city water source is contaminated

Sadeaika

1981

Sadeaika poster
6.5

A man suffering from paranoia and delusions is convinced that the city water source is contaminated

Sadeaika

1981

Trip to Eternity poster
NR

An actor is prepared for the final shot in this pastiche of filmmaking: a two-minute macabre comedy sketch made by a sister and brother, Marjut and Sakari Rimminen, who share every credit on the film.

Trip to Eternity

1973

Trip to Eternity poster
NR

An actor is prepared for the final shot in this pastiche of filmmaking: a two-minute macabre comedy sketch made by a sister and brother, Marjut and Sakari Rimminen, who share every credit on the film.

Trip to Eternity

1973

Trip to Eternity poster
NR

An actor is prepared for the final shot in this pastiche of filmmaking: a two-minute macabre comedy sketch made by a sister and brother, Marjut and Sakari Rimminen, who share every credit on the film.

Trip to Eternity

1973

Pilvilinna poster
4.0

Teenager Erik returns from Paris to Finland in a rowboat and is accosted by a gang of youths in the countryside. He walks to Helsinki, returns to his parents' home and his old high school filled with angry radical teens who, typically for the era, consider the teacher-imposed discipline as another form of capitalist imperialism. Almost reluctantly Erik drifts together with Annika, a girl from a wealthy family, and starts experimenting with sex and marijuana. In the same nonchalant manner Erik gets involved in demonstrations and school politics which escalate into a violent school strike leading to police intervention and heavy sanctions.

Pilvilinna

1970

Pilvilinna poster
4.0

Teenager Erik returns from Paris to Finland in a rowboat and is accosted by a gang of youths in the countryside. He walks to Helsinki, returns to his parents' home and his old high school filled with angry radical teens who, typically for the era, consider the teacher-imposed discipline as another form of capitalist imperialism. Almost reluctantly Erik drifts together with Annika, a girl from a wealthy family, and starts experimenting with sex and marijuana. In the same nonchalant manner Erik gets involved in demonstrations and school politics which escalate into a violent school strike leading to police intervention and heavy sanctions.

Pilvilinna

1970