Giovanni Vannini

A man from Milan, Carmelo, is forced to take his young son Malcolm, on a trip down South so his mother, who usually takes care for the boy, can go on vacation with her Moroccan boyfriend. Carmelo, who obviously is not too often at home, has no clue about how to deal with young children, even the most basic chores a father should know to tend the restless imp thrown in his care. The crowded train traveling from Milan to Reggio, Calabria, is packed in the second class section where Carmelo and Malcom have a hard time getting a seat. When they finally do, young Malcolm decides to disappear from his compartment. He goes to the first class car, where eventually Carmelo decides to sit and pay the extra supplement. He is lucky to find more space, and the companionship of Beatrice, a woman that is bringing the skeleton of a rare animal. Carmelo finds a way to interest the lady. Their ride is certainly bumpy, complicated when he decides to leave the mischievous Malcolm at an intermediate stop.

A pharmacist is murdered, and a woman happens to see the culprit leave the scene. She soon finds herself being stalked by the killer.

An anthology film in which a guardian angel falls in love with a beautiful dancer a policeman must keep an eye on an arrested transvestite, and a dental technician sells his soul to the devil but is not satisfied with the results.

Four bandits commit a robbery in a villa. The maid calls the police and Commissioner Carli immediately orders patrols to chase them.

Countess Elena marries the charming Guido Rambaldi, only for him to be seduced by dancer Nara during their Venice honeymoon.

The Don Juan of a small provincial town saves from suicide a young American girl who falls in love with him. The citizens, after having discovered that the girl is very rich, will do everything to organize the marriage between them.

No synopsis available yet.

A woman takes advantage of the fact that her husband allowed himself to be praised for divorce to demand immediate separation.

Former shepherds return to Sardinia from Milan in order to avenge a brother wantonly killed by bandits. In describing the grinding contrasts between places and personages of old and new Sardinia, director Piero Livi does not falter, photographing faithfully a desolated land, stuck in the past but alienated from traditional beliefs.

Nadia is a social worker who is trying to keep the residents of a local slum in line. Unfortunately she keeps neglecting her work and fantasizing about a life as a pop-star. When she falls for one of the residents in question, a small time crook called Bel Ami, she ends up an accomplice in a convoluted heist involving a holy Catholic relic.