
Acting
Márton Nagy
Born 1982-02-24
Márton Nagy (born February 24, 1982) is a Hungarian-German actor, writer and producer. He studied acting in Germany and Switzerland (university of Arts, Zurich), he worked in theaters in Germany and Switzerland. Later he was working mainly as a film actor. His first feature movie, `Zhaleika` premiered 2016 at Berlinale in Berlin. He has co written and produced several projects. In his Youth Márton Nagy was fascinated by martial arts, he became a teacher in his teenage years and continued practicing through his life. Before acting he studied Japanese Calligraphy at Saga academy and also works as an artist.
Acting credits
3.8Todor is in his early thirties and lives with his mother, reliant on her cooking, ironing, washing, and company. The comfort of this co-dependent lifestyle is suddenly altered one night when Todor arrives home late after an office party.
Umbilical Cord
2016
5.9Andrea, a woman without a past, is the object of both Philipp’s and his son’s desire. A love triangle filled with expectations, longing and fears leaves open the speculation of who knows what about whom.
A Fish Swimming Upside Down
2020
NRA man and a woman meet in a cafe.
A Mere Encounter
2025
Sascha lives in Berlin. She is 23 years old and doesn't really know what to do with herself. She has been walking the streets of Berlin for days and nights. She only wants one thing - to forget.
Baby Bitchka
2020
NRWinter in a big city. Thirty-year-old Klara arrives home with a random guy that she has just met. Both are drunk, they are giggling, having fun. But there is someone else in the apartment: Anton (9) catches them having sex. The next morning, Anton is gone.
Absent
2015
NRPortraying the customs and traditions of a village set in the breathtaking landscape of rural Bulgaria, Zhaleika subtly tells the tale of a young woman’s emancipation.
Zhaleika
2016
No synopsis available yet.
Sounds of Nature
2021
A man has a special power, yet is condemned for it. He is required to fit in, to surrender, to change. Ultimately he’s faced with the decision to either assert himself or to submit.
The Others
2018