Giovanni Schmidt

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.

Staged at the 45th Festival della Valle d'Itria in Martina Franca, this 2019 production of Nicola Antonio Manfroce's rare opera Ecuba brings a forgotten early-19th-century tragedy back to the spotlight. Directed, designed, and costumed by Pier Luigi Pizzi, the staging delivers a striking visual interpretation of Giovanni Schmidt's libretto surrounding the aftermath of the Trojan War. Under the musical direction of Sesto Quatrini, the performance features powerful vocal delivery from Lidia Fridman and Carmela Remigio alternating in the title role alongside an accomplished ensemble. Backed by the Orchestra del Teatro Petruzzelli di Bari, this gripping revival offers an intense, rarely-heard exploration of classical myth and maternal grief.

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.

Staged at the 45th Festival della Valle d'Itria in Martina Franca, this 2019 production of Nicola Antonio Manfroce's rare opera Ecuba brings a forgotten early-19th-century tragedy back to the spotlight. Directed, designed, and costumed by Pier Luigi Pizzi, the staging delivers a striking visual interpretation of Giovanni Schmidt's libretto surrounding the aftermath of the Trojan War. Under the musical direction of Sesto Quatrini, the performance features powerful vocal delivery from Lidia Fridman and Carmela Remigio alternating in the title role alongside an accomplished ensemble. Backed by the Orchestra del Teatro Petruzzelli di Bari, this gripping revival offers an intense, rarely-heard exploration of classical myth and maternal grief.