John B. Reed

Late 70s, downtown NYC, bar scene. Fara, the bar keeper’s young wife, falls in love with her beautiful step son, Po, just back from California. Early 80s, a filmmaker goes back to the witnesses and players, who tell the story of the tragedy. It’s Phaedra and Hippolytus, shot in a cool-tempered No Wave style.

A fairly typical sorority skin flick told through Shakespeare's words.

Late 70s, downtown NYC, bar scene. Fara, the bar keeper’s young wife, falls in love with her beautiful step son, Po, just back from California. Early 80s, a filmmaker goes back to the witnesses and players, who tell the story of the tragedy. It’s Phaedra and Hippolytus, shot in a cool-tempered No Wave style.

Late 70s, downtown NYC, bar scene. Fara, the bar keeper’s young wife, falls in love with her beautiful step son, Po, just back from California. Early 80s, a filmmaker goes back to the witnesses and players, who tell the story of the tragedy. It’s Phaedra and Hippolytus, shot in a cool-tempered No Wave style.

A fairly typical sorority skin flick told through Shakespeare's words.