Aimé Césaire

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In five parts, this documentary tells the story of the colonisation of the French Overseas Territories. Slave descendants, coloniser descendants, historians, admirals, rebellious writers and politicians recount a lasting past that keeps on igniting the economic and social relations of these territories even to this day.

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Martinique Island, 1974. Inspired by the writings of the Martiniquais poet and politician Aimé Césaire (1913-2008), the dreamer Robert Saint-Rose, known as Zétwall (Star in Creole), aspires to be the first Frenchman to step on the lunar surface.

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Shortly after his death in 2008, Maldoror made this film about her longtime friend and collaborator, the Négritude poet Aimé Césaire. In this film, she retraces the steps of Césaire’s travels across the globe — particularly back to his hometown in Martinique, where Maldoror interviews his relatives about his life — and her working relationship with Césaire, including fragments of her previous films about him, Un homme, une terre (1976) and Le masque des mots (1987).

The filmmaker Sarah Maldoror films the writer Édouard Glissant at the Fort de Joux (in the Jura), in the cell where the Haitian general Toussaint Louverture was held prisoner until his death in 1803. She then talks to Aimé Césaire at Le Diamant in Martinique, in front of Laurent Valère's "Cap 110" memorial. The documentary also includes short interviews with Roland Suvélor and Madeleine de Grandmaison, and the reading of texts performed by Greg Germain.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

A three-part study that introduces audiences to the celebrated Martinican author Aimé Césaire, who coined the term "négritude" and launched the movement called the "Great Black Cry".

Documentary exploring the thought and work of Aimé Césaire.

Léon G. Damas (1912–1978) was the first poet to “live Négritude”, according to the Senegalese poet, politician and cultural theorist Léopold Sédar Senghor. Cosmopolitan and always in transit, his writing is a chorus of melodies and imagery imbued with angst and melancholy and strongly influenced by jazz and blues. Punctuated by images of the landscapes of French Guiana and the voice of the artist, the film exemplifies the poetic documentary form to which Maldoror frequently returned.

Aimé Césaire - Le Masque des mots is a portrait of the Martinican writer who calls himself a rebellious negro and for whom the poetic act represents an act of freedom.

Documentary on the négritude movement through one of its founders, Aimé Césaire.

Alternating interview segments, shots of Martinique landscapes and scenes from Aimé Césaire's play La Tragédie du roi Christophe (1963), Sarah Maldoror portrays her friend as a politician, a poet, and a founder of the Négritude movement.

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).