Nikola Bulatović

From the tower blocks of Paris to the countryside of the Drôme region, Shaï and Djeneba lead summer camp activities while grappling with growing up and growing apart.

As a mysterious planetary alignment sets the sky on fire, two brothers are reunited with a childhood friend.

Kristina is a transgender sex worker in Serbia. She plays herself in an eponymous film that portrays her daily life with reticence in accordance with the rules of fiction. We’re in Kristina’s home with her. With camp elegance, she contentedly arranges ikebana in the luxuriant, baroque shade of her garden. The surprisingly shrill ringtone of her telephone disrupts the idyllic scene and Kristina reels off the prices of her services to the caller. Tracing an inner journey in the secret calm of churches and forests, the film also opens up a space of confession in its core, in frontal shots where Kristina tells her story. It does not, however, follow the path of repentance. On the contrary, it asserts the profound freedom of a modern woman, captured majestically in a bold portrait with strokes inspired by iconostases that tend towards the divine.

Nikola has a dysfunctional relationship with his father, who wants the power to control his life.

The film shows how the whole society changes in war conditions, i.e. human nature in all layers of society, to incredible proportions.

Statistics show that during his professional career every railroad engineer working for railways, unintentionally kills 15 to 20 people. This is a story about the innocent mass murderers and their lives.

Comedy about the life of a modern village family and many neighbors of theirs, dealing with Serbian mentality at the turn of the XXI century. Based on TV series of the same title.

A biopic about Jelena 'Ilka' Markovic, a woman who unsuccessfully tried to assassinate the Serbian prince Milan Obrenovic in order to revenge her husband, who was previously executed for taking part in the Topola uprising of 1877.

When the war in Yugoslavia breaks out, an army officer who's ethnic Slovenian yet still believes in Yugoslavia, decides to move to Belgrade. The country continues to fall apart and so does his family failing to find acceptance there.