Alberto Santiago

Misterious luminous objects appear each night at San Andres beach.

In Alonso Ruizpalacios’ bracing and stylish film, security guards in an armoured van try to manage the stress that comes from being close to a pile of cash in Mexico City. The team’s stability is imperilled when one member nears his boiling point.

When she is fired from her only job in a series of infomercials, Amanda, an actress with little talent and whose film career is forgotten, decides to resume her career in the midst of an economic crisis that leads her to a questionnaire about her vocation, but also, that the shore to rethink its responsibility as the mother of Nicolás, a 7-year-old boy to whom she had not paid much attention until then.

In Mexico City, amongst the fervent devotion to adulated saints, a fictional cult arises to disrupt the ancestral relationship between believing and creating, between art and religion.