Erwin Huppert

Amours décolorées is a cinematographic poem to the glory of Mariola San Martin, model, stylist, dancer and Spanish photographer.

Reel 6 of Gérard Courant's on-going Cinematon series.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

Elisabeth takes the train from Paris to Rome to join her husband Jacques, an artist. An Italian man approaches her on the train. During the meal they share, he slaps her. This does not prevent Elisabeth from feeling the desire to make love to Leonardo. In the compartment they share, she pleasures herself in front of Leonardo, who scrutinizes her closely with a flashlight. In Rome, Jacques is waiting for her. Over the next few days, Leonardo tries unsuccessfully to rekindle his relationship with Elisabeth. However, tired of painting, Jacques decides to return to Paris to pursue a career in film...

Film about Marcel Hanoun at work while making his film Les amants de Sarajevo in 1993.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

A collage-like work that plays with a variety of visual and auditory elements. The film combines scenes from Lausanne, Lake Geneva, and Odesa, interweaving cityscapes, stairwells, and street scenes. The images are accompanied by a mixture of distorted sound, choral singing, and marching music. Intertitles in Cyrillic script and humorous texts reinforce the film's experimental aesthetic. The film ends with a note stating that it was found in the year 3973 and dates back to 1972, with the assumption that the sound and colors were partially erased by radioactive residue.