Bayu Prihantoro Filemon

Young Vania faces her fears and finds courage in tumultuous times when she takes in an injured thief seeking refuge in her family’s traditional Chinese medicinal hall.

Enjoying her rising popularity, a singer slowly realizes that she has been deeply trapped into a submissive political system that controls every inch of her musical performance. To maintain her loyalty image, she proposes a political re-educational programme: training a choir of women prisoners.

Overdubbing the roles of both torturer and victim in one of Indonesia’s most contentious movies, a performer in a sound booth becomes the one-man embodiment of a whole era’s worst cruelties and sufferings.

Halim considers himself a pious Islamic man. He wishes to marry a young woman in her village as a second wife to save her from miserable life. His wife doesn't agree. Halim contemplates on his own decision while a weird fantasy world starts to suck him in.

Young Vania faces her fears and finds courage in tumultuous times when she takes in an injured thief seeking refuge in her family’s traditional Chinese medicinal hall.

Young Vania faces her fears and finds courage in tumultuous times when she takes in an injured thief seeking refuge in her family’s traditional Chinese medicinal hall.

Enjoying her rising popularity, a singer slowly realizes that she has been deeply trapped into a submissive political system that controls every inch of her musical performance. To maintain her loyalty image, she proposes a political re-educational programme: training a choir of women prisoners.

Enjoying her rising popularity, a singer slowly realizes that she has been deeply trapped into a submissive political system that controls every inch of her musical performance. To maintain her loyalty image, she proposes a political re-educational programme: training a choir of women prisoners.

Overdubbing the roles of both torturer and victim in one of Indonesia’s most contentious movies, a performer in a sound booth becomes the one-man embodiment of a whole era’s worst cruelties and sufferings.

Overdubbing the roles of both torturer and victim in one of Indonesia’s most contentious movies, a performer in a sound booth becomes the one-man embodiment of a whole era’s worst cruelties and sufferings.

Halim considers himself a pious Islamic man. He wishes to marry a young woman in her village as a second wife to save her from miserable life. His wife doesn't agree. Halim contemplates on his own decision while a weird fantasy world starts to suck him in.