Vincent Morisset

An interactive film for computers.

Inni is a live motion picture and album by Icelandic band Sigur Rós released in 2011.The concert footage was directed by Vincent Morisset and filmed at the Alexandra Palace in 2008. It was released on 7 November 2011 on various formats, including vinyl, DVD, Blu-ray and CD. Theatrical versions are also being shown around the world from late 2011. The songs played within are Ný batterí, Svefn-g-englar, Fljótavík, Inní mér syngur vitleysingur, Sæglópur, Festival, E-Bow, Popplagið and Lúppulagið. The bonus material contains All Allright, Glósóli, Hafsól and Við spilum endalaust.

The Arcade Fire’s enigmatic Miroir Noir opens with its most authentic moment: the band faces each other in the middle of an audience and gingerly eases into “Wake Up”. The fans bunch awkwardly around them as Win Butler intones into a ghetto-taped megaphone. Renowned for their sojourns into the crowd, this particular gimmick is usually configured as a populist transgression of the supposed boundary between performer and audience. But this footage shows indie’s high priests seeming uneasy among the faithful, who appear to share the feeling. No species of direct connection is sought. Even in such close quarters, the act of leveling can only be achieved through the conduit of the music.

Interactive shot-film about the concepts of Arcade Fire's Reflektor.

An interactive film for computers.

Inni is a live motion picture and album by Icelandic band Sigur Rós released in 2011.The concert footage was directed by Vincent Morisset and filmed at the Alexandra Palace in 2008. It was released on 7 November 2011 on various formats, including vinyl, DVD, Blu-ray and CD. Theatrical versions are also being shown around the world from late 2011. The songs played within are Ný batterí, Svefn-g-englar, Fljótavík, Inní mér syngur vitleysingur, Sæglópur, Festival, E-Bow, Popplagið and Lúppulagið. The bonus material contains All Allright, Glósóli, Hafsól and Við spilum endalaust.

The Arcade Fire’s enigmatic Miroir Noir opens with its most authentic moment: the band faces each other in the middle of an audience and gingerly eases into “Wake Up”. The fans bunch awkwardly around them as Win Butler intones into a ghetto-taped megaphone. Renowned for their sojourns into the crowd, this particular gimmick is usually configured as a populist transgression of the supposed boundary between performer and audience. But this footage shows indie’s high priests seeming uneasy among the faithful, who appear to share the feeling. No species of direct connection is sought. Even in such close quarters, the act of leveling can only be achieved through the conduit of the music.

Interactive shot-film about the concepts of Arcade Fire's Reflektor.