Known for
NRProtesters diary from Gezi Park - Taksim Square, Istanbul. Occupy Gezi movement started when the government decided to build shopping mall in place of the last green area that remained in the middle of Taksim Square.
It Started with Trees – Revolt in the Gezi Park
2013
NRThe first film ever broadcasted in Roma language on Czech public TV without Czech subtitles. Good Heart is an adaptation of a Roma folk tale recounting an evening in a little cottage house in the countryside.
Good Heart
1999
5.6Three stories ; The Garden of Eden, The Open Country of a Lonely Man, Riedgost ; introduce the youngest generation of Czech filmmakers. They are linked through the similarity of their story-telling poetic and their interest in uncommon environments and heroes. The filmmakers' results confirm the saying that what we long for most is often sitting right in front of our eyes.
Radhošť
2002
Behind the camera
NRProtesters diary from Gezi Park - Taksim Square, Istanbul. Occupy Gezi movement started when the government decided to build shopping mall in place of the last green area that remained in the middle of Taksim Square.
It Started with Trees – Revolt in the Gezi Park
2013
NRProtesters diary from Gezi Park - Taksim Square, Istanbul. Occupy Gezi movement started when the government decided to build shopping mall in place of the last green area that remained in the middle of Taksim Square.
It Started with Trees – Revolt in the Gezi Park
2013
NRThe first film ever broadcasted in Roma language on Czech public TV without Czech subtitles. Good Heart is an adaptation of a Roma folk tale recounting an evening in a little cottage house in the countryside.
Good Heart
1999
NRThe first film ever broadcasted in Roma language on Czech public TV without Czech subtitles. Good Heart is an adaptation of a Roma folk tale recounting an evening in a little cottage house in the countryside.
Good Heart
1999
5.6Three stories ; The Garden of Eden, The Open Country of a Lonely Man, Riedgost ; introduce the youngest generation of Czech filmmakers. They are linked through the similarity of their story-telling poetic and their interest in uncommon environments and heroes. The filmmakers' results confirm the saying that what we long for most is often sitting right in front of our eyes.
Radhošť
2002
