Fehmi Yasar

A scenario writer who struggles to have any of them filmed, delves into problems of his housemaid.

Because of a local blood feud, a peasant family decides to sell its sheep - a most precious commodity - in far away Ankara. During their long train ride, bribes must be paid to petty officials, sheep are stolen or die in the packed, airless wagons, and the sick wife of one of the family's sons becomes deathly ill.

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With good guidance from director Zeki Okten but an uninspired script, this story of a brother and his Turkish family influenced by old and new traditions is somewhat uneven. Bilal (Tarik Akan) is devoted to the art of wrestling, following in the footsteps of his father and grandfather, who were both champions at the sport. Aside from his interest in wrestling for its own sake, Bilal has a chance to win a provincial wrestling contest and thereby bring home a considerable cash award for his efforts -- and so his days are spent in training for the event. Meanwhile, his brother and sister-in-law and their daughter have come back home after living in Germany for 12 years and are finding the adjustment to their cultural roots a bumpy ride. As long scenes of well-oiled and slippery wrestlers in action prepare viewers for Bilal's big event, the struggle of these men is reminiscent of the struggle of Bilal's family to come to grips with a world they may not be able to accept unconditionally.

Tunç, who is a director, is looking for a location in a small town for his new film. He observes everything around him for his screenplay. However, he constantly changes what he writes because he doesn't like it. He tries to turn some of the events he sees into stories. But he can't seem to get it right. One night, Tunç visits his neighbor Seniha, an old actress. Some of the things Seniha says inspire him. He returns home and sits down to work on the screenplay. Tunç, who becomes deeply engrossed in the screenplay he has written, will fall into a state of mental breakdown.

Aygül is an unhappy woman who is trying to raise her four children without the help of her unemployed, no-good husband. She starts working in a factory and this becomes the igniter of her consciousness-raising process.

A scenario writer who struggles to have any of them filmed, delves into problems of his housemaid.

A scenario writer who struggles to have any of them filmed, delves into problems of his housemaid.

With good guidance from director Zeki Okten but an uninspired script, this story of a brother and his Turkish family influenced by old and new traditions is somewhat uneven. Bilal (Tarik Akan) is devoted to the art of wrestling, following in the footsteps of his father and grandfather, who were both champions at the sport. Aside from his interest in wrestling for its own sake, Bilal has a chance to win a provincial wrestling contest and thereby bring home a considerable cash award for his efforts -- and so his days are spent in training for the event. Meanwhile, his brother and sister-in-law and their daughter have come back home after living in Germany for 12 years and are finding the adjustment to their cultural roots a bumpy ride. As long scenes of well-oiled and slippery wrestlers in action prepare viewers for Bilal's big event, the struggle of these men is reminiscent of the struggle of Bilal's family to come to grips with a world they may not be able to accept unconditionally.

Aygül is an unhappy woman who is trying to raise her four children without the help of her unemployed, no-good husband. She starts working in a factory and this becomes the igniter of her consciousness-raising process.

Directed by Zeki Ökten.

Being released from prison, a traumatized political prisoner retreats to a fishing village. Here, among the vacationers, he hears a voice which he immediately identifies as the voice of one of the policemen whom he never saw the faces of, and who tortured him.