Sudipto Chattopadhyay

Ghya-chang-fou literally means 'suddenly beheading' in Bengali. it features thirteen unnamed people gathering in a mansion filled with archaic objects to celebrate what appears to be a communist revolution. Nothing seems real, roads open up to improbable places, places lead to impossible elevators, elevators lift people to unconvincing roads. Bacchanalian spirit steadily overtakes the initial deadpan seriousness. The encore of celebration sounds delusionary as the drunken conversation about communism, about its methods and means, about it intricate turns through history degenerates to bourgeois nonsense and decadence leading to absurd rifts, comic conflicts, unleashed orgies and debauchery.

The way that people are used as bait is explored through three stories about three different characters.

A village mechanic dreams of flying. After discovering the crash site of a World War II Japanese plane, Bachchu Mondal decides to rebuild it. His project doesn’t go unnoticed by the ghosts that haunt the place, all victims of broken dreams. The authorities begin investigating Bachchu as a life threatening series of bizarre events conspire.

Aswin Kapoor and his wife Sabitri start a game on their way to Darjeeling in which both act as strangers.

Aswin Kapoor and his wife Sabitri start a game on their way to Darjeeling in which both act as strangers.

Maradona Rebello grows up playing a girl in popular Hindi films on the behest of his ambitious and dominant mother, Lillete Dubey. This results in a confused gender identity for the young boy who tries to build his film career, once again, when he grows up. This time, as a hero? Does he succeed?

Maradona Rebello grows up playing a girl in popular Hindi films on the behest of his ambitious and dominant mother, Lillete Dubey. This results in a confused gender identity for the young boy who tries to build his film career, once again, when he grows up. This time, as a hero? Does he succeed?