Ingela Romare

Birgitta Trotzig's "A Landscape" depicted from the mythology of the sore human deaths from which the drug has been collected.

Documentary about US war crimes in Indochina.

Left-wing collective film targeting colonial politics in Northern Sweden (Norrland).

Documentary film about the protests against the 1968 Davis Cup tennis match between Sweden and Rhodesia, in Båstad, Sweden. In a series of interviews, demonstrators and members of the Swedish government give their views on sport, politics and civil disobedience.

Documentary from inside the liberation movement in Guinea-Bissau.

A school class at Gärdesskolan in Stockholm got to try out filming themselves with 8 mm cameras during one school year. The experimental activities were led by a group from FilmCentrum and Teckningslärarinstitutet. At first, they made films that they themselves would most like to make – e.g. a trick film with Donald Duck, a horror film, etc. They also filmed the environment in the City and each other in a “documentary” way. Then they tried to create “neutral” material – images of cars, etc. that they filmed in the City without any particular intention. They divided themselves into two groups – one each against motoring and traffic in the city.

Birgitta Trotzig's "A Landscape" depicted from the mythology of the sore human deaths from which the drug has been collected.

Documentary about US war crimes in Indochina.

Left-wing collective film targeting colonial politics in Northern Sweden (Norrland).

Documentary film about the protests against the 1968 Davis Cup tennis match between Sweden and Rhodesia, in Båstad, Sweden. In a series of interviews, demonstrators and members of the Swedish government give their views on sport, politics and civil disobedience.

Documentary from inside the liberation movement in Guinea-Bissau.

Documentary from inside the liberation movement in Guinea-Bissau.

A school class at Gärdesskolan in Stockholm got to try out filming themselves with 8 mm cameras during one school year. The experimental activities were led by a group from FilmCentrum and Teckningslärarinstitutet. At first, they made films that they themselves would most like to make – e.g. a trick film with Donald Duck, a horror film, etc. They also filmed the environment in the City and each other in a “documentary” way. Then they tried to create “neutral” material – images of cars, etc. that they filmed in the City without any particular intention. They divided themselves into two groups – one each against motoring and traffic in the city.

Filmed in two cities in Tanzania in the autumn of 1969. The film tells about two of the literacy projects that are ongoing in Tanzania, how the work is carried out in the cities, what difficulties one has to fight against. One town is an ujamaa town - a so-called socialist city - north of Viktoriasjön, the second city a masaj city near Kilimanjaro, where a solitary teacher carries out pioneer work among his own people.

Filmed in two cities in Tanzania in the autumn of 1969. The film tells about two of the literacy projects that are ongoing in Tanzania, how the work is carried out in the cities, what difficulties one has to fight against. One town is an ujamaa town - a so-called socialist city - north of Viktoriasjön, the second city a masaj city near Kilimanjaro, where a solitary teacher carries out pioneer work among his own people.

In May-June 1971, Malmer and Romare accompanied a delegation of experts sent by the international committee to investigate US crimes in Indochina and then reported on their experiences in 'Att samla några bevis'. The visual material is partly unique: it concerns, among other things, the documentation of the US Air Force's conscious investment in so-called anti-personnel bombs and mines. The use of napalm and chemical warfare agents is also discussed in a few sections, where an old woman and two mothers, who were in sprayed areas during their pregnancies, talk about and show the damage to themselves and their deformed children.

"It was a day in May that you left, one day in May as we lost you. But when I now return to your grave, we are no longer lost."

Morocco. Ali Bourequat belongs to a distinguished family with contacts to the royal family. When Ali gets to know that a coup is planned for the king, he tries to warn this, but gets himself imprisoned as well as his two brothers. He was first interrogated for 7 years in a prison and then incarcerated 11 years in the dark in the secret prison Tazmamart.