Marcello Ludwig Maia

January 1st, 2003. When Brazil celebrates President Lula′s historic investiture, two middle-class, provincial families gather in an old, poorly maintained house. As they prepare a big party, secrets, hidden desires and frustrations are revealed.

Over a trio of summers, a caretaker for luxury condominiums relies on her resourcefulness and her eye for opportunity to take advantage of whatever comes her way.

The film brings Clarice Lispector’s novel Uma Aprendizagem ou O Livro dos Prazeres to the current days. In the plot, Lóri is a lonely and melancholic woman. She divides her time between her duties as a school teacher and her relationships, which are always fast and shallow. By chance, she meets Ulisses, an acknowledged Philosophy professor, who is self centered and provocative. Although he knows nothing about women, Lóri learns with him how to love and to face her own loneliness.

In the capital of Ceara, Iracema is the name of many women. It is the name of schools, guesthouses, bakeries, laundries, steakhouses, Iracema is the name of beaches.

This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

January 1st, 2003. When Brazil celebrates President Lula′s historic investiture, two middle-class, provincial families gather in an old, poorly maintained house. As they prepare a big party, secrets, hidden desires and frustrations are revealed.

Over a trio of summers, a caretaker for luxury condominiums relies on her resourcefulness and her eye for opportunity to take advantage of whatever comes her way.

The film brings Clarice Lispector’s novel Uma Aprendizagem ou O Livro dos Prazeres to the current days. In the plot, Lóri is a lonely and melancholic woman. She divides her time between her duties as a school teacher and her relationships, which are always fast and shallow. By chance, she meets Ulisses, an acknowledged Philosophy professor, who is self centered and provocative. Although he knows nothing about women, Lóri learns with him how to love and to face her own loneliness.

In the capital of Ceara, Iracema is the name of many women. It is the name of schools, guesthouses, bakeries, laundries, steakhouses, Iracema is the name of beaches.

In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

Can books still change someone's life? To answer this question, the documentary Galáxias tells stories of people from different places in Brazil - Rio de Janeiro, São Paulo, Minas, Pernambuco, Amazonas and Distrito Federal - who, on their own initiative, created libraries open to the public in their communities. In parallel to the narrative of these characters, Galáxias travels through several countries listening to intellectuals and ordinary people, seeking to discover what makes a person love a book. What is the power of literature? In what lies the pleasure of reading? What changes will technological advances bring to the book? Galáxias: a reflection on this small, transcendent object and on the people who love books.

Lost in a beachhouse, Rodrigo searches in his memory for the romance he lived the previousnight with a woman, and how to find her.

Lost in a beachhouse, Rodrigo searches in his memory for the romance he lived the previousnight with a woman, and how to find her.

Soon after learning of the death of his mother Pérola, Mauro returns to his old family home in Bauru (São Paulo, Brazil). A look back into his mother’s peculiar habits, her illusions, sense of humor, spirituality, and desire to control all things... with the love and tenderness that only distance and time allow. A reunion between mother and son: their conflicts, conversations, and dreams of a better life all converge in constructing a swimming pool in their backyard. It is a portrait of an ordinary family that fights, makes up, celebrates, cries, and carries on, full of stories just like any other.

The film reveals the moments that preceded the Samba Schools' competitive parade in Rio de Janeiro's 1996 carnival. Narrated by actor Hugo Carvana and filmed by three separate 16mm camera units, the documentary focuses exclusively on the gathering of each school before its parade at the Sambadrome Marquês de Sapucaí - the real and imaginary space where everything happens.

The film reveals the moments that preceded the Samba Schools' competitive parade in Rio de Janeiro's 1996 carnival. Narrated by actor Hugo Carvana and filmed by three separate 16mm camera units, the documentary focuses exclusively on the gathering of each school before its parade at the Sambadrome Marquês de Sapucaí - the real and imaginary space where everything happens.

Filmed over six years in four countries: Portugal, Brazil, Colombia and United States, this romantic drama tells the story of Luzia, a Brazilian screenwriter, and Adrian, a Colombian actor, that fall in love during a film festival in 2009 and will live a fragmented love story while competing in different film festivals around the world.

A group of playboys organizes the last party of the year in a slum before the change in weather. And for this night, beyond the usual drugs, alcohol and sex, they will receive special guests: an addict that uses and is used by the group, a country singer who was raised around the slum, a strange security guard and the owner of the place.

The boy Francisco spent his days accompanying his father at work, or rather, on the roads. The man is a driver of the imposing Big Jet, a pickup truck used to clean the city's cesspools without basic sanitation. But the boy is more interested in the ideas of his uncle, a libertarian and anarchist artist. As he discovers his first love, Chico realizes the vocation to become a poet.

The film brings some of the best stories about the singer, told by his friends - Cássia Eller, Ezequiel Neves, Ney Matogrosso and Frejat - and by his mother, Lucinha Araújo, in atouching testimonial.

The film brings some of the best stories about the singer, told by his friends - Cássia Eller, Ezequiel Neves, Ney Matogrosso and Frejat - and by his mother, Lucinha Araújo, in atouching testimonial.

At a bar, a lonely mantells the story of the incredible romance he has just lived to three strangers.

At a bar, a lonely mantells the story of the incredible romance he has just lived to three strangers.

At a bar, a lonely mantells the story of the incredible romance he has just lived to three strangers.

A reporter for a popular newspaper and a criminal lawyer have their destinies linked by a murder that shocked Brazil in the 1970s and marked the beginning of the debate on femicide.

A reporter for a popular newspaper and a criminal lawyer have their destinies linked by a murder that shocked Brazil in the 1970s and marked the beginning of the debate on femicide.

A gang of young dirt bikers on a ride across an isolated region of Brazil find themselves being hunted by a machete wielding band of motorcyclists intent on killing them all.

Finding shelter in an abandoned mansion, a group faces the challenges of coexistence. Free from traditional power structures, the black women experience power, love, and the possibility of dreaming about the future, while the white women resist learning to help with household chores, take care of themselves, and face their mistakes. When an old threat resurfaces, however, they all must band together to survive.