Daniela Abke

They meet in »Le Vieux Belleville«: Minelle, the singer, or Robert Bober, the writer, once Truffaut's assistant director. Basque anarchist Lucio is also a regular at the little restaurant, where time seems to have stood still. This place and the memories of the regulars and their songs which tell of love and struggle are the manifestation of the soul of Belleville, but also of old Paris.

The study stylizes the highly concentrated training of a basketball team and the start of the big game the next day. Bodies, movements and sounds are fragmented in unusual excerpts, alienated by the reduction to black and white and reassembled in an original and fast-paced montage.

They meet in »Le Vieux Belleville«: Minelle, the singer, or Robert Bober, the writer, once Truffaut's assistant director. Basque anarchist Lucio is also a regular at the little restaurant, where time seems to have stood still. This place and the memories of the regulars and their songs which tell of love and struggle are the manifestation of the soul of Belleville, but also of old Paris.

They meet in »Le Vieux Belleville«: Minelle, the singer, or Robert Bober, the writer, once Truffaut's assistant director. Basque anarchist Lucio is also a regular at the little restaurant, where time seems to have stood still. This place and the memories of the regulars and their songs which tell of love and struggle are the manifestation of the soul of Belleville, but also of old Paris.

The study stylizes the highly concentrated training of a basketball team and the start of the big game the next day. Bodies, movements and sounds are fragmented in unusual excerpts, alienated by the reduction to black and white and reassembled in an original and fast-paced montage.