Serge Bonin

Boys' college in eastern Quebec at the end of the 1940s. Brother Jean is not a teacher like the others. He wants to interest his students in the subject and to achieve this, he conducts archaeological excavations with his students aimed at proving the establishment of a Viking colony (Vinland) on the coast of the Saint Lawrence. The superiors of his congregation do not appreciate his unconventional ways of teaching. Without knowing it, Brother Jean will have a significant impact on the lives of his students, particularly in that of Émile, a young man who is having difficulty at school and who would prefer to abandon his studies to go work in a factory.

The story of Tv, beginning on the night he agrees to run away from his affluent suburb in Quebec City to save his best friend Samu. The two 15-year-olds' escape quickly turns into a desperate flight from the police and adults. Their encounter with a group of young orphans living in a cave in the heart of the city will put their friendship to the test. The transition from adolescence to adulthood, the discovery of love, freedom, and the experience of resilience will not be without its challenges.

One evening, at the bend of an alley, an ordinary man surprises two young people who have just committed a crime. In panic, the teenagers take this witness hostage and drag him into their escape. Then begins for two generations that everything separates, an inner journey which will mark the three souls forever.

Five years after an economic catastrophe, the government and banks have collapsed. At a fortified village in rural Quebec, three individuals with very different pasts see their destinies unwillingly intertwined. Léon is part of a band of honest scavengers. Following a murderous attack, Léon has a falling out with the surviving members of his gang. Marianne, survivor of a brutal assault and the last living member of her family, is travelling to the village to find her aunt — and is soon to find that her attackers are there too. Old Bob has only one goal, to reconnect and make peace with his brother, since years estranged. During his journey, he encounters Josée, a teen with attitude who sees a father figure in him. After a bloody altercation at a bar, Bob has no choice but to tolerate Joe’s company.

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The story of Quebec's most beloved hockey player, Maurice "The Rocket" Richard, focusing on the struggles of a French Canadian in the National Hockey League dominated by Anglophones.

In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City. Uprooted, far from his loved ones, unable to speak French and faced with a completely alien world, he becomes despondent. When he refuses to eat and expresses a wish to die, his nurse, Carole, comes to the realization that Tivii's illness is not the most serious threat to his well-being. She arranges to have a young orphan, Kaki, transferred to the institution. The boy is also sick, but has experience with both worlds and speaks both languages. By sharing his culture with Kaki and opening it up to others, Tivii rediscovers his pride and energy. Ultimately he also rediscovers hope through a plan to adopt Kaki, bring him home and make him part of his family

In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.