Grace Passô

Camila is a Portuguese therapist who works at Rio de Janeiro State University, where she attends Glória, the university's elevator operator. Throughout the sessions, Camila faces a very violent reality, since Glória was raped by her own father as a child and her brother Jonas is a dangerous bandit that is in prison. Increasingly frightened by the reports she hears, she feels threatened at the same time that Glória sees her as essential in her life.

After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.

In a small village, a lonely fisherman yearning for a son is drawn to an ethereal light that links him to others and their long-buried secrets.

Music about becoming women in the contemporary world, their emancipation and struggles

In order to take a new job as an employee in the public sanitation department, Juliana moves from the inner city of Itaúna to the metropolitan town of Contagem in Brazil. While waiting for her husband to join her, she adapts to her new life, meeting people and discovering new horizons, trying to overcome her past.

Vicentina struggles to cope with the death of her son Wesley after a tragic bus accident, in which he was the driver. As the investigation unfolds, evidence suggests that Wesley’s actions may have been suicidal. Vicentina then embarks on a journey to seek out the victims’ families and apologize, while confronting her own grief and uncertainty.

On the eve of a future-defining championship, promising 17-year-old volleyball player Sofia is faced with an unwanted pregnancy. Seeking an illegal termination, she becomes the target of a fundamentalist group determined to stop her at any cost – but neither Sofia nor those who love her are willing to surrender to the blind fervor of the swarm.

The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

Zu, a twelve-year-old boy on the way to buy flour for his mother, winds up in the clutches of armed paramilitary narcotics officers.

Threshold narrates a story of love and mystery which takes place in an old house inhabited by the young Maria, whose fame as a saint extends well beyond the mountains of the interior of Brazil. The arrival of two new characters has a disturbing affect on Maria: a traveler, for whom "Holy Maria" develops an intense passion, and Aunt Emiliana, an elderly lady determined to prepare for the great miracle.

Graça, a lesbian woman living in Belo Horizonte with her French girlfriend Clara, gives private French lessons to support herself in a large Brazilian metropolis. As an independent Black woman from a lower-middle-class background, she finds herself confronted by the dark side of religious fanaticism when she is forced to live with an extremist evangelical family that gradually involves her in a mysterious plot that leads her to lose her mind.

A chronicle of a bloody war that pitted the inhabitants of the hamlet of Canudos, led by their prophet, against the army of the young Brazilian Republic in 1897.

No synopsis available yet.

In the middle of an out-of-control pandemic, three sisters decide to take action.

Elder and Daiane are a couple in the midst of an urban war: while he fights to survive, their first child is about to be born.

This is a beautiful and poetic cinematic ode to our moon. Made primarily from international cinematic archives in combination with literary fragments and original moonlit cinematography filmed across five continents, To the Moon steps lightly through the ages and ideas that people have drawn from the moon to create a meditative work.

As he does every single day, Elon goes to meet his wife at her workplace, but she is not there. He doesn’t find her at home as well, so he starts to retrace the path Madalena makes daily. In the morning after, Elon goes to the police station and files a report, runs into hospitals, morgues. Alone, he wanders through a metropolis, searching for news about the sudden and mysterious disappearance of his wife.

Mário returned to the world of the dead. He dug his escape into the earth, with no intention of taking revenge on the powerful men who pursued him. "The Fury (2024)" starts from a fantastic premise, a poetic license, to conclude the trilogy begun by "The Guns (1964)" and "The Fall (1978)."

Janaína is a black screenwriter embarking on a new audiovisual project. She meets the rest of the team, where all of whom are white, on a farm. Pedro, the leader of the script room, disappears. Janaína investigates and makes unimaginable discoveries.

The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier.

No synopsis available yet.

Zeca tries to get up early to catch the bus and arrive an hour and a half later at the neighboring town’s school, where he works as a librarian. Waking up early is evermore difficult: something prevents him from maintaining his routine. One day, Zeca meets Louisa.

One night, a Brazilian woman wakes up in a country exhausted from violent acts. Republic is a short film realized at home, in the beginning of 2020s quarantine, in the center of São Paulo, República neighborhood.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.

After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.

After having invaded liquid, gaseous and solid substances, a strange voice takes possession of a woman's body and for the first time experiences the taste of something truly human. Together, the voice and the body seek for belonging and an identity of their own as they question their roles within society.

A Black Brazilian family in the city of Belo Horizonte, tries to rebuild their home after a recent loss. Caught between memories and nightmares, and unable to express what they feel to each other, a mother and her children shield themselves from the pain of grief through their individual routines. Only the youngest child understands the secret that the house holds within its four walls and tries to reveal it to the others, only to fall on deaf ears. Finally, confronted with the truth, they face the deep roots of their grief and come together to traverse this moment with love and courage.

A Black Brazilian family in the city of Belo Horizonte, tries to rebuild their home after a recent loss. Caught between memories and nightmares, and unable to express what they feel to each other, a mother and her children shield themselves from the pain of grief through their individual routines. Only the youngest child understands the secret that the house holds within its four walls and tries to reveal it to the others, only to fall on deaf ears. Finally, confronted with the truth, they face the deep roots of their grief and come together to traverse this moment with love and courage.

No synopsis available yet.

To escape her abusive husband, garbage collector Gal packs her two young children, Rihanna and Benin, onto the top of her cart and heads across São Paulo to her cousin’s house. As she struggles to avoid the dangers of the streets along the way, she convinces the children that they are on a big and exciting adventure. When they arrive at her cousin’s house, they are warmly welcomed and fed. However, what initially seems like a safe haven soon turns out to be a trap. Gal realises that not only her own safety is at risk, but also the future of her children.

Ficções Sõnicas #2 is a film-play made in downtown São Paulo, during the pandemic. In history, they occupy the Municipal Theater and rehearse a play without an audience, in a search path that awakens them from the inaction and automation of sensitivity. The film-play is part of the Sonic Fictions Project, idealized by Grace Passô, where a series of artistic creations are made to experience children and act on the basis of black lives in diaspora.

Ficções Sõnicas #2 is a film-play made in downtown São Paulo, during the pandemic. In history, they occupy the Municipal Theater and rehearse a play without an audience, in a search path that awakens them from the inaction and automation of sensitivity. The film-play is part of the Sonic Fictions Project, idealized by Grace Passô, where a series of artistic creations are made to experience children and act on the basis of black lives in diaspora.

“I need you to listen to me!”, Medea says in her first speech in the play. And among expatriates and immigrants, in a feverish state, she speaks. To and for the women—the Syrian, the Cuban, the Paulista, the Jewish, the Haitian—her accomplices. In the light of the myth of Medea, we are invited to visit different territories in a reflection on our time and its borders, creating a new ending for the myth.

One night, a Brazilian woman wakes up in a country exhausted from violent acts. Republic is a short film realized at home, in the beginning of 2020s quarantine, in the center of São Paulo, República neighborhood.

One night, a Brazilian woman wakes up in a country exhausted from violent acts. Republic is a short film realized at home, in the beginning of 2020s quarantine, in the center of São Paulo, República neighborhood.

An experimental short for a TV Coragem channel program.

Ficções Sônicas is a sonic imagination of the radio play Pra Dar Um Fim no Juízo de Deus, by Antonin Artaud, immersed in the notion of non-place of diasporic experiences. Triggered by the term developed by the writer Kodwo Eshun, the work brings together the musicians Barulhista, Maurício Badé and Thelmo Cristovam in different musical tracks, dialoguing with the voice of Passô. “It is to make the future vibrate in this ancient text that always had the future in itself. It is an evocation of words resistant to the automation of sensibility. It’s a meeting between aliens.”