Juan Sebastián Mesa

Jorge is the only one of his generation who has decided to stay in the countryside. The local festivities are just round the corner, and with them comes the reunion with his ex-girlfriend Andrea, who is back from the city. Her arrival starts to unhinge him physically and mentally. Second feature film by its director.

Oscar lives with his grandparents in a humble country house that has been left in the middle of a large hydroelectric project. It is the last day to vacate their house and his grandparents, faced with the pain and uncertainty of leaving the land where they were born, prefer to end up under it.

Camilo, Mechas, Manu, Ana and Pipa are five friends going through that blended trance of intense unrest, astonishment, contained tenderness and manifested rage that is typical of the end of adolescence. They survive at the edges of a city, Medellin, that simultaneously attracts and excludes them, that lure them with promises but rejects them with hostility. Nevertheless, they want to embrace the city and fight against its logics of fear. Music, street art and friendship are their weapons of resistance, hoping for a rite of passage that could transform them into someone else.

Andrew is a disabled veteran who lives outside of New Jersey. Some time ago, he began having virtual conversations with Alejandra, a Colombian single mother who works in a webcam studio in Medellin.

Jorge is the only one of his generation who has decided to stay in the countryside. The local festivities are just round the corner, and with them comes the reunion with his ex-girlfriend Andrea, who is back from the city. Her arrival starts to unhinge him physically and mentally. Second feature film by its director.

Jorge is the only one of his generation who has decided to stay in the countryside. The local festivities are just round the corner, and with them comes the reunion with his ex-girlfriend Andrea, who is back from the city. Her arrival starts to unhinge him physically and mentally. Second feature film by its director.

Oscar lives with his grandparents in a humble country house that has been left in the middle of a large hydroelectric project. It is the last day to vacate their house and his grandparents, faced with the pain and uncertainty of leaving the land where they were born, prefer to end up under it.

Oscar lives with his grandparents in a humble country house that has been left in the middle of a large hydroelectric project. It is the last day to vacate their house and his grandparents, faced with the pain and uncertainty of leaving the land where they were born, prefer to end up under it.

Camilo, Mechas, Manu, Ana and Pipa are five friends going through that blended trance of intense unrest, astonishment, contained tenderness and manifested rage that is typical of the end of adolescence. They survive at the edges of a city, Medellin, that simultaneously attracts and excludes them, that lure them with promises but rejects them with hostility. Nevertheless, they want to embrace the city and fight against its logics of fear. Music, street art and friendship are their weapons of resistance, hoping for a rite of passage that could transform them into someone else.

Camilo, Mechas, Manu, Ana and Pipa are five friends going through that blended trance of intense unrest, astonishment, contained tenderness and manifested rage that is typical of the end of adolescence. They survive at the edges of a city, Medellin, that simultaneously attracts and excludes them, that lure them with promises but rejects them with hostility. Nevertheless, they want to embrace the city and fight against its logics of fear. Music, street art and friendship are their weapons of resistance, hoping for a rite of passage that could transform them into someone else.

Andrew is a disabled veteran who lives outside of New Jersey. Some time ago, he began having virtual conversations with Alejandra, a Colombian single mother who works in a webcam studio in Medellin.

Andrew is a disabled veteran who lives outside of New Jersey. Some time ago, he began having virtual conversations with Alejandra, a Colombian single mother who works in a webcam studio in Medellin.